logo image
::: 2014 :::

::: events :::

photo: ben owen

::: 2014.11.11 ::: cambridge, usa :::

::: presentation @ harvard university :::

tuesday, 11 november
harvard university
15:15
free

i have prepared a playlist of recordings made with ‘extended’ recording techniques (contact microphones, hydrophones, etc) for the group to explore and discuss before i reveal their origins. i will also be showing the mics i use and explaining their construction and use and how i think about them in my work. if we have time we’ll also try them out in/around the lecture room.

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::: 2014.07.26 ::: kaluka, ee :::

::: performance @ non-existent villages :::

w/ villem jahu & derek holzer w/ marco donnarumma

saturday, 26 july
departing tartu @ 12:00, võru @ 14:00

The project of non-existent villages deals with culturally organized areas of landscape and activates spaces where human habitation has ceased. These villages are considered as null pointers; those points existing on maps and in cultural memory but which have lost the objects being refered to. The exhibition connects the villages in question conceptually and/or technologically to the exhibition space, links proto machines and/or rural symbols to contemporary technological culture.

Participating artists excavate embedded meanings in these culturally changing environments and search for intersections of traditional and contemporary cultural practices.

The closing event, a joint tour, takes place on SATURDAY 26th of July starting 12:00 from Tartu / 14:00 from the Võru City Gallery and passing by all the installations in the landscape, also featuring sound performances by Derek Holzer + Marco Donnarumma, Patrick McGinley and Villem Jahu.

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::: 2014.07.24 ::: kiila, fi :::

::: performance @ kiilan kansainväliset äänipäivät :::

w/ keränen & jookla

thursday, 24 july
16:00
kiila beach & westers café
kiila, finland
10€

Kiila International Sound days.
Jooklo duo (IT), Murmer (Patrick McGinley) (US/EE) and Tommi Keränen (HKI).
Murmer 16:00 at the beach
Tommi Keränen 18:00 at Westers
Jooklo 20:00 at Westers

2014-07-24 13.58.09

::: 2014.07.19 ::: varbuse, ee :::

::: presentation @ eesti maanteemuuseum :::

saturday, 19 july
16:00
eesti maanteemuuseum
vana postitee
varbuse

presentation of my (light-hearted) project mushroom(ears) in the context of the estonian road museum’s road art festival, about the use of a quasi-jecklin disk recording set-up to record sounds from the perspective of mushrooms in the ihamaru forest just off the historical tartu-võru postal road where the museum is situated.

each recording was made from the perspective of the pictured mushroom, with a pair of small-capsule omnidirectional microphones placed on the mushroom cap as ‘ears’, with stereo separation created with a cardboard and felted-linen semi-circular barrier, amounting approximately to one-half or a jecklin disc. observations: at this time of year, mid-july, bird sound is low in the forest, leaving more space for distant sounds and insects. as such, i would like to repeat the experiment with a lower-noise microphone. also, the black windshields seemed to attract insects – a more neutral color would be preferable. here are three examples:

puravik (bolete):
2014-07-17 14.09.35

kitsemampel (gypsy mushroom):
2014-07-17 14.44.29

kukeseen (chanterelle):
2014-07-17 15.33.11

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::: 2014.06.09 ::: jaffa, il :::

::: performance/presentation @ hanut 31 :::

monday, 9 june
19:30
hanut 31 gallery
hanut 31, jaffa
free entry

early evening artist talk, listening session and discussion.

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::: 2014.06.08 ::: jerusalem, il :::

::: performance/presentation @ ha-mazkeka :::

sunday, 8 june
19:00
ha-mazkeka
shoshan 3
jerusalem
20₪

early evening artist talk, listening session and discussion.

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::: 2014.05.25-27 ::: al-bireh, ps :::

::: workshop @ orient & dance theatre :::

sunday-tuesday, 25-27 may
14:00-18:00
orient & dance theatre
16 nablus road
al-bireh
free entry

Field Recording and Ephemeral Listening

So much technology is associated with sound-work and field recording, but in this workshop we will begin with the first and most important piece of equipment: the ear. We will focus on the act and art of listening, exploring perception and the effects of sound through extended listening sessions, soundwalks, and exercises that will warm and sharpen our ears. A strong focus will be placed on environmental listening, and the development of the ear toward detailed sonic perception. Only from this new position or aural attention will we explore different microphones and recording techniques, as we embark on a group recording expedition that will make it clear that a sharp ear can make amazing recordings with any kind of equipment, while the best equipment in the world can do nothing with an inattentive ear.

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  • Day 1: extended listening session of endemic and exotic sounds, exploration of active and passive field recording, discussion
  • Day 2: participatory sound exercises, ‘alternative’ methods of field recording, blind and sighted group and individual soundwalks and soundsits, discussion
  • Day 3: field recording techniques and technology, group recording excursion, closing listening session, discussion

Patrick McGinley is a sound, radio, and performance artist who has been living and working in Europe (currently Estonia) since 1996. He works primarily with found sound, found objects, and site-specific sonic interactions. He also produces a weekly field-recording themed radio show which recently celebrated it’s 11th anniversary. He frequently teaches and leads sound workshops, group actions and experiments.

::: 2014.03.20 ::: london, uk :::

::: solo performance @ sprawl :::

w/ steve beresford, blanca regina, jack goldstein, matthias kispert & iris garrelfs

thursday, 20 march
19:00
TROYganic
132 Kingsland Road
£5/£3 concs

For our night of site-related, if not site-specific sounds, we feature a range of perspectives on the subject:

We have American Estonia- based artist murmer, fresh from his collaboration with Felicty Ford at Audiograft Festival, will be performing via a model of site-specific exploration and interaction. All sounds, whether live or pre-recorded, amplified or acoustic, emanate from the performance space itself.

We also have a collaborative project between Steve Beresford, Blanca Regina, Jack Goldstein and a solo performance by Matthias Kispert, who is interested in the city and the relationship between its sounds and everyday life.

Iris Garrelfs’ audio-visual piece Twine was made during a residency at the Institute of Contemporary Art in Celje, Slovenia – a slow, quiet and atmospheric portrait of a specific location at a specific time.

further details on the sprawl website here.
facebook event here.

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::: 2014.03.13 ::: oxford, uk :::

::: performance w/ felicity ford @ audiograft :::

w/ liminal, sybella perry & jd zazie

thursday, 13 march
19:00
holywell music room
holywell street
oxford
£5

audiograft is an annual festival of contemporary experimental music and sound art curated by the sonic art research unit (SARU) at oxford brookes university. the festival aims to engage the widest possible audience from oxford and beyond with the challenging contemporary practices that are the focus of the research unit.

in live performance patrick & felicity’s shared interest in field recording has developed into an attempt to integrate and resonate found sounds, found objects, specific spaces, and moments in time, in order to create a direct and visceral link with an audience and location. For this evening they will give a site-specific performance making use of the unique acoustic of the space.

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