| we are celebrating a
landmark. in september framework aired
its 250th
edition! to
mark the
occasion, a collection of artists who have been important to the
program over
the years agreed to donate new and exclusive tracks, which we have
published on a pair of double-cdr compilations, in handmade
silk-screened packaging. above you can find the detailed tracklists for
both editions; full track credits and notes are available by clicking
on the individual links.
these compilations are available only
through us, and you will receive
one as a thank-you for your minimum donation of €25 (or any
subscription that will result in the same amount). alternatively,
for a minimum donation of €40 euros,
we'll send you both! so - click one of the links on the right, donate now, and reserve yourself a framework250 celebratory compilation!
| top |   jonathan coleclough & ben owen two chambers 09:13 Jonathan: I visited Patrick and worked on two pieces of music while I was there. The first was an attempt to harness a technique Steve Peters uses for his Chamber Music series ( http://stevepeters.bandcamp.com/album/chamber-music ) – recording an empty space and then processing the recording to isolate and emphasise particular narrow bands of frequencies. A bit like sifting flour through a sieve with only a few unblocked holes. For this purpose I made a recording in the cellar of Patrick's house. For the second piece of music, which was already partly finished, I wanted to add some bell sounds. Patrick had a variety of metal bowls and I discovered three that seemed to fit well with the tuning of the piece. I returned to the cellar and recorded these bells while listening to the partly finished piece on headphones. Then I had the idea of combining the two cellar recordings. With help from Patrick and Hitoshi Kojo I shifted the narrow bands of frequencies in the first piece so that they sounded more consonant with the bells I had recorded for the second piece. I liked the result and offered a section of it (entitled 'Chamber Perruel') to Patrick for framework250. Ben: my recording was made on residence in upstate new york at a place called Experimental Television Center. what you hear are binaural mic's clipped to my ankles as i walk slowly around the studio room. Patrick: jonathan and ben submitted their two recordings separately, but in the first framework250 show i ended up mixing the two together. i actually quite like to two recordings together; both quite minimal, but with very different qualities that seem to compliment one another. i proposed to ben and jonathan that a mixed version be used for the cd release and they agreed, asking me to do the final mix. really, i did very little to it - the recordings were approximately the same length, and i left the levels of each as they were. this is the outcome. http://www.october-editions.co.uk http://www.benowen.org | top |  toy.bizarre kdi dctb 146[i] 07:08 Extract from the k146 project - a sound cartography project about the Taurion River. Please check http://www.k146.org for more information. http://www.ingeos.org http://www.k146.org http://twitter.com/ingeos http://www.myspace.com/toybizarre | top | mark schreiber car window 06:23 Mark Schreiber was born in 1970 in Johannesburg and currently lives and works in Offenbach near Frankfurt. His sound and visual works have been shown at 45A (London 2005), Technical Breakdown (Aux, Copenhagen 2006) and National Museum of Kosovo (Prishtina 2006); performances include Caribic Residency (Frankfurt 2009), Unyazi 2008 - Fear of the Known (Stellenbosch, South Africa 2008), Singuhr Hörgalerie (Berlin 2008), fa projects (London 2008), CYRK (London 2005) and South London Gallery (2005). Music commissioned for Dan Perjovschi’s My World as part of Again for Tomorrow at Royal College of Art (London 2006), and catalogue texts for Six Sites for Sound (London 2005). Radio projects include a contribution to auditory epode (Radio Papesse 2008) as part of Manifesta 7. http://www.markschreiber.org | top |   michael rüsenberg steve welsh 03:58 "Steve Welsh" has been recorded on Jan 27th 2008 by occasion of a soundwalk, led by Chris Watson. Separated from the group by chance I heard some beautiful noise - full garbage containers being pushed from the back of Wyndham´s Theatre through the small alley of St. Martin´s Court, London WC2, to St. Martin´s Lane, discharged into a wating lorry and pushed back exhausted. In fact this has been the very first recording with my then new Rødes NT4 mic, neither edited or filtered. The title in part stems from the worker, who introduced himself as Steve, as to be heard partly because - as I´ve been enlightened later - he spoke with a heavy Welsh accent. "Steve Welsh" is part of the upcoming series "London Calling". http://www.realambient.de | top |  jim haynes virga 11:20 photo: r yau / 23five recorded at the beach and next to a furnace http://www.helenscarsdale.com/haynes | top |   thomas tilly/TÔ for julien 09:42 Sounds recorded at Cébron lake, natural reserve of Pinaille and la Barre, France. http://www.fissur.com | top |   john grzinich sentience of spring 09:48s A mix of field recordings and site-specific sound actions made in the Spring of 2009 in Southeast Estonia and Riga Latvia, some of which include my ongoing fascination with found long wire installations. This is a slightly remixed version of a piece composed for the Active Crossover installation by Simon Whetham that was exhibited in Bristol in October 2009. http://maaheli.ee | top |  jean-luc guionnet diptyque de la veille 09:35 http://www.jeanlucguionnet.eu | top |   emmanuel mieville gnaoua song 11:56 http://www.myspace.com/ongaka | top | |
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