| we are celebrating a
landmark. in september framework aired
its 250th
edition! to
mark the
occasion, a collection of artists who have been important to the
program over
the years agreed to donate new and exclusive tracks, which we have
published on a pair of double-cdr compilations, in handmade
silk-screened packaging. above you can find the detailed tracklists for
both editions; full track credits and notes are available by clicking
on the individual links.
these compilations are available only
through us, and you will receive
one as a thank-you for your minimum donation of €25 (or any
subscription that will result in the same amount). alternatively,
for a minimum donation of €40 euros,
we'll send you both! so - click one of the links on the right, donate now, and reserve yourself a framework250 celebratory compilation!
| top |  toshiya tsunoda vibration of the rope of a fishing boat under moor 12.aug.09 matsuwa, miura 09:34 | top |   maria balabaş in principio erat verbum 08:59 Maria Balabaş is one of those characters you don’t really know exactly how to define: much more of a fragment than a continuous line, color more then work method. The parents told her: “music!” and from then on, in a way or another, the sounds made order into her ages (otherwise her ideas upon her own person maight look a bit odd)….first she played the piano, after – she touched the guitar…in a folkish way; after that she discovered the writing table and she started to write about music, then she cut the magnetic tapes in the radio….long time….after a while, together with her brother and some other good friends, she discovered she can think about music in new ways. Telling the stories she never told before. It’s about this and about trying to find a way to be personal in a fragmented world. This piece….a strange mixture of the things with a lot of influence, even I am not always aware of it. But for sure, my everyday life was another 5 years ago. My thoughts also…..I tried to make a sense out of small parts – all with their role in this present. Of course., the description wouldn’t match exactly the point….. maria maria: welll.....I used only recordings I did from different events....no connection between them. the fragments had mistakes…those beeeeps or so maria maria: but I decided to make space for them also maria maria: most of those musical events had mistakes in the way the organizers considered the music itself maria maria: after....I took a recording from one of our "concerts" maria maria: an old romanian romance maria maria: but it's only the melodic line that one can recognize maria maria: the way we played it.....has nothing to do with the song itself maria maria: the idea...I think....it's that the SONG is always present during the LIFE maria maria: no matter how one finds it.... maria maria: and how hidden it is under mistakes and misunderstandings maria maria: in the end....I felt the need to go out of this line maria maria: so - I looked for a quote everybody can understand maria maria: and I found those Bible words maria maria: but there was also this "nowadays mark" maria maria: "recorded in Texas...etc" maria maria: so - this matched also the previous idea maria maria: and more - it's not about understanding the words maria maria: but feeling the voice....maybe patrick: :) maria maria: the words are not important maria maria: I didn't understand nothing of those events patrick: that is clear maria maria: haha http://www.myspace.com/vorbaaa http://www.dimineatacrossover.radiocultura.ro http://vorbas.blogspot.com | top | asmus tietchens FMF 4/1A 05:07 http://www.tietchens.de | top |    keith de mendonca 4 nights in lhasa 07:14 I made a short visit to Lhasa in August 2009 to celebrate my birthday - which fortunately coincided with a large local festival in and around the capital. This festival attracted a large number of people into Lhasa from surrounding areas - adding to the air of excitement and celebration found in the temple fairs, monasteries, and around the old part of the city (as well as an increased military presence on the streets). "Four nights in Lhasa" presents my impression of the festivitives, the celebrations and the religious devotion I witnessed in Tibet during this brief moment of time. Sources are: Bell rubbish collector - near Lhasa mosque Monks chanting in Ganden monastery Walking amongst pilgrims circling a shrine - Tsepang. Single drum - Sera monastery Work songs whilst tamping down a new roof surface - Ganden monastery Two pilgrims singing & clapping - Shotun festival Elderly monk & silent devotee circling a shrine - ganden monastery Two monks chanting with drum and cymbals - Ganden monastery Prayers outside Jokhang Bell http://www.dismbody.demon.co.uk | top | seth nehil twine 06:59 http://sethnehil.blogspot.com http://sethnehil.artdocuments.org http://foarm.artdocuments.org | top |  martin clarke three 07:00 Recorded in Wszerzecz, Poland in May 2009. http://www.rockscottage.net | top |    maksims šenteļevs river dam performed 10:26 Site-specific research project: Soundscape Mapping In Raminten Forest, Recorded during Kaliningrad Sound Art camp, July 18-27. 2009. Soundscape Mapping is a site-specific research project that implies field recording and field mix techniques in observation of small structural units in the environment. The main focus of the project is to uncover and record tiny sounds naturally left beyond hearing. River dam. Material: Wood in water stream. Recording: 8 piezo transducers attached to timber planks, Stereo mixer. Mixed and recorded on location in real time. Location / Time: 23.07.09. Late aftrnoon-early evening. Forestside river, popular amongst beavers. Though dam captured on recording is obviously man maid. Pine trunk laid across the river is fixed with stones and finished with vertical timber planks fixed from the stream side. 7 piezos were selectively attached to dry tops of timber and one piezo to trunk itself. Recording was accompanied by appearance of local DJ from Krasnolesje village and dog that has nothing to do neither with DJ nor with recording, though both were highly entertaining. DJ participated in recording - made his own fieldmix, while dog tried to steal sandwich (she got it in the end). http://www.bernurits.com | top |  hitoshi kojo perruel 07:03 http://www.octpia.com/kojo | top |   dallas simpson M25: radio / traffic 07:00 Taking the M25 as a real and conceptual boundary for the reception of Resonance 104.4FM on the outer perimeter of London, this work explores the aural experience of a drive, with the windows down, around a section of the M25 on 5th september 2009 between 3:30 and 5:00pm, while intermittently listening to Resonance FM live off air. Recorded as a continuous live single take using custom binaural techniques for headphone listening, all sounds are live and unprocessed. Edited and mixed by dallas simpson. Live off-air radio extracts received during the recording courtesy of Resonance 104.4FM. This work was especially created in support of Framework and Resonance 104.4 FM. Please donate generously. http://www.dallassimpson.com | top | eric cordier montchaibeux 10:19 http://www.prelerecords.net | top | |
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