23.12.05 my apologies for the lateness of this playlist - the holiday season has been busy with voyages and visitors, but happily through now to 2006 we begin anew, back to our regularly scheduled programming, as they say. i hope you enjoyed our special guest curator on 16.12 - it was a pleasure to have the chance to hear michael northam's personal retrospective on his 2005. and this, our next show on 23.12, was to be our last program of the year, as 30.12 was set aside to give our studio engineers a much deserved break.
we ended 2005 on a more pensive note, with a very belated nod to the great john watermann, the australian visual and sonic artist who passed away in 2002. our retrospective was inspired by the appearance of the cd epitaph for john, on the dutch korm plastics label - a posthumous collaborative dedication curated by frans de waard and featuring a collection of sound artists and friends who had been influenced by or worked with john over the years. the basis for the work was an unfinished collaboration between frans and john, featuring a collection of john's raw field recordings from toowong cemetary. for their contributions to the project, these sounds were given to asmus tietchens, rlw, and merzbow, and their material was in turn used as the basis for frans' own contribution from his freiband project. for our show i accompanied this material with the sounds that defined john's work for me personally over the years - by no means a comprehensive collection, but the highlights for me from the few cds i managed to find in a time before the proliferation of the internet, either from his own smal nightshift records label, or from other small pioneering record labels such as nd, stille andacht and raum 312. these labels either no longer exist or have no discenable internet presence, hence my lack of contact information for them, but you can find more infomation on the korm plastics label here: http://www.kormplastics.nl, or more information on john watermann here: http://aliasfrequencies.org/watermann.
lastly, i will reprint here the obituary, written by frans de waard, which originally appeared in the online review digest vital weekly on 03.04.02:
John Watermann 19.2.1935 - 2.4.2002
It's
with
great
sadness
that
we
have
to
announce
the
death
of
John
Watermann.
He
died
@
John
Watermann
was
one
of
the
truly
underground
sound
and
visual
artists.
In
the
late
eighties
his
name
surfaced
out of nowhere, when a
double CD was
released by the Walter Ulbricht label in
Starting
out
in
In mid-2000 he wrote me that he was terminally ill, but that he would love to do a sound-project with me in the remaining time. We exchanged environmental recordings and exchanged emails over the practical nature of composing our works. Only a few weeks ago, he wrote me that he was still working on it, despite all the treatments he was getting. In exchanging these emails he came forward as a very practical person, with clear ideas as to what he wanted. I will continue to work my part of this work in order to keep his memory alive.
john watermann / toowong cemetary / epitaph for john / korm plastics
john watermann / listening to my records / dummyhead / nightshift
john
watermann /
first shudder project /
rlw / seeking perfection - somewhere else / epitaph for john / korm plastics
john watermann / matter - antimatter / testing the jammer / raum 312
asmus
tietchens
/ jwat 1 / epitaph for john / korm
plastics john
watermann /
stone# 48/7/158/2 / babel #1 / stille andacht asmus
tietchens
/ jwat 4 / epitaph for john / korm
plastics john
watermann
/ taste of speed / dummyhead /
nightshift john
watermann
/ second
shudder project /
merzbow / untitled for john / epitaph for john / korm plastics
john watermann / traveller's joy tumor / ambiguity / nightshift
freiband / threnody / epitaph for john / korm plastics
john
watermann
/ third shudder project /
john watermann / deus ex machina / dummyhead / nightshift
john watermann / stone# 20/11/162/1 / babel #1 / stille andacht
john watermann / testing the jammer / testing the jammer / raum 312
16.12.05 sorry
to cram
your inboxes two days in a row - but unexpected circumstances have led
to some
special arrangements and a special announcement. i have to leave
town
suddenly for the weekend and will therefore not be in town for the next
live
edition of framework but fear not! a timely visit from michael
northam means we have been able to plan a special edition, curated
and
hosted by michael for this friday's edition: this
friday,
16.12.05 mnortham
presents an orogenetics-2005-travelogue, including voyages in epesses brussels mt
cheseau lofoten and
the
sounds and music thereof and therein. 09.12.05 a long list of tracks for this edition as we sampled a large chunk of the recent 2cd compilation put out by sirr-ecords, untitled songs, tied to the structural creation of karlheinz stockhausen's seminal piece, gesang der jünglinge. from the liner notes: 'the works on this cd are not plain homage, nor are they sampled from the original. they are rather a survey of the current state of electronic/electroacoustic that exists half outside the academic music life.' most feature the common elements of voice manipulation and the sounds of interior spaces - we sampled works from many framework regulars, as well as a few new names.
we also heard the first of some new works by the composer emmanuel mieville, some tonal creations from tetsu inoue, new works by ubeboet, james wyness and michael trommer, and a framework introduction recorded for us by cedric peyronnet (aka toy.bizarre).
this
weeks
commentary was
recording in the abney park cemetery in stoke
cedric peyronnet / framework intro recorded with two mics inside two field-drains; a natural dronescape
emmanuel mieville / herbal dripping / balok night birds / why not ltd plastic bags and dripping water, vinyl scratches and found objects http://www.geocities.com/whynotltd
andres goncalves / sinusoids and resonances / untitled songs / sirr.ecords manipulated recordings of a voice-resonated bathroom http://www.ctrl.tk, http://www.sirr-ecords.com
michael trommer / speedboat / - / - speedboats
crossing
georgian bay,
asmus tietchens / ohne jeden titel / untitled songs / sirr.ecords vocal reworkings attempting to reach a religious ceremony's travesty http://www.tietchens.de, http://www.sirr-ecords.com
jgrzinich / synthetic voice / untitled songs / sirr.ecords rattling of metallic resonant spaces http://www.maaheli.ee, http://www.sirr-ecords.com
maksim shentelev / untitled song (switchdrop) / untitled songs / sirr.ecords layers of interior recordings and movements - shifting vibration of chaotic movement
ubeboet / 3 / black and red / earlabs dense soundscaping of field recordings, turntable and radio http://www.con-v.org/ube/, http://www.earlabs.org
tetsu inoue / remote 6.14 / yolo / din digital tonal reworkings of acoustic and synthesized sound http://music.hyperreal.org/artists/tetsu, http://www.din.org.uk
paulo raposo / - / untitled songs / sirr.ecords memories of the silence of an american desert http://www.sirr-ecords.com/pauloraposo, http://www.sirr-ecords.com
coeval / track 2 / fin de nada / - bass tones and swirling sound fragments from this mp3 release
james wyness / glasshouse / inside voices / faraway manipulated
constructions from the
@c / untitled (int. 11/45) / untitled songs / sirr.ecords space and voice recorded in jaffa and porto http://www.at-c.org, http://www.sirr-ecords.com
coeval / 5 / fin de nada / - raw layering of rougher elements, tones and found sound
tetsu inoue / particular moments / yolo / din more dense tonal structures and grittier high end scrapings http://music.hyperreal.org/artists/tetsu, http://www.din.org.uk
james wyness / cartier-bresson / inside voices / faraway echoing interiors of the dean gallery, edinbugh, during an henri cartier-bresson exhibition
derek holzer / ? / untitled songs / sirr.ecords 6 channel recording of wood-burning furnace and associated piper http://www.umatic.nl/info_derek.html, http://www.sirr-ecords.com
| top
| 25.11.05 having received several submissions of vocal and/or narrative work over the part few months, we embarked on our second edition of vocal field recordings this week (you may remember our first, earlier this year, inspired by tim coster's vocal and field compilation), loosely structured around joseph young's narrative, and quite theatrical, piece, the family album. his field recordings take on a more literal role than we're used to here, while playing an active, not an illustrative, role in these memoirs. we also heard several voices (as well as several voiceless recordings) in the work dan crall, including the amazingly emotive opening tale from a lost soul who has just shot his horse. the latest installment of viv corringham's shadow-walks, these undertaken on the irish island of cobh, also made an appearance - viv's shadow walks are sonic figurative reconstructions of her subjects favorite walks, constructed from sounds and objects found along the journey. voiceless respite was found along our way through new works by jason kahn and lawrence english, and by a somehow narrative but wordless piece by canadian composer eldad tsabury which in constructed from late night sounds of montreal streets processed and composed to represent the soundscape as heard from inside the belly of a drunkard asleep on a bench nearby.
another event coming up of possible interest to framework listeners - if you'll forgive the personal plug (or even if you won't): i will be playing a live set at mark schreiber's upcoming tone debris event at the whitechapel gallery here in london - if you make it down please say hello!
Tone Debris w/ murmer, modified ka, lgamble, djs tom scott & space commander travis curated by mark schreiber The Aldgate East Underground Station free! An evening focusing on possible meeting points between melody and ‘noise’, or tone and its fragmented neighbour. modified ka describe themselves as “acoustic in every electronic bit” (with guitar, electronics and drums). Lgamble’s microscopic laptop abstractions celebrate the fractured while murmer does a melding of field recordings with the tonal ‘playing’ of a bowed metal chime (www.murmerings.com). DJs Tom Scott and Space Commander Travis move from obscure film soundtracks all the way to possible Spoken Word.
thomas
armstrong
/ framework intro a
local
dan crall / i killed my horse this mornin / north / - amazing
testimony from a
man who crawled out of an http://www.dancrall.blogspot.com
joseph young / my brother / the family album / - childhood memoirs of collections and early recordings
dan crall / devil's playground / north / - odd whirling drones from strange playing children http://www.dancrall.blogspot.com
jason
kahn
/ track 6
/ sihl /
sirr tonal
playing for our
vocal backdrop http://www.jasonkahn.net,
http://www.sirr-ecords.com joseph
young
/ ginger and myself /
the family album / - broadcast
tales and the
goals of a youngster deep
throbbing and
distant echoing crackles http://www.room40.org,
http://cronicaelectronica.org
viv
corringham /
it makes you feel small / shadow-walks in cobh
/ - a
collection
of
recollections from viv's cobh shadow-walks dan
crall
/ cicada recording / north / - another
perspective on
the recent appearance of these insects on their 17 year cycle http://www.dancrall.blogspot.com
joseph
young
/ pleasure beach /
the family album / - a
final
short-of-breath
tale of family beach memories jason
kahn
/ track 7
/ sihl
/ sirr more
melancholy
radio-sounding tone-plays http://www.jasonkahn.net,
http://www.sirr-ecords.com like
lo-fi
fires and
distant ship horns interpreting viv's next set of shadow-walks... http://www.room40.org,
http://cronicaelectronica.org viv
corringham
/ there's lovely memories / shadow-walks in
cobh
/ - "sometimes, when
i was so young, i'd have to do it from memory..." dan
crall
/ timber / north / - hollow
tones
from the
plucking of split-wood spikes http://www.dancrall.blogspot.com
eldad tsabury / gastrointestinal disorder / - / - heavily distorted grumblings from the belly of a drunk
dan
crall
/ voicemail from paul / north / - perhaps
someone should
return his call http://www.dancrall.blogspot.com
18.11.05 a
dense program
tonight,
with many textural layers from many different directions.
tonight's playlist
was dominated by a single package that came through the post; a single
label
that sent along an array of suitable material. new zealand's pseudo
arcana sent more
material than
we could cover in one show, including a new release from our well
missed
framework co-founder joel
stern
and his collaborator anthony
guerra.
also featured is material by edward
ruchalski and label boss anthony
any it's time for my occasional plea - i am out of framework introductions, people, so now's the time! if you've got a moment to record an intro, or if you're planning on sending in other material and would consider recording an intro as well, do it! the first person to send me an intro mp3 can be guaranteed to have it featured in this friday's show, so on your marks! guidelines below...
keith de mendonca / framework intro the sea at paradise beach, kefalonia http://www.dismbody.demon.co.uk
stern/guerra / outdoor bowers / outdoor bowers / pseudo arcana guerra's resonant tones meet stern's crackle and captured birdsong
(p.o.w)
/ layered
untreated
recordings from gilgit, rinus
van
alebeek
/ side one
/
taoist attack / - gritty,
grainy found
sound and voices composed to a fine rumble edward
ruchalski
/ part two / having it out / pseudo arcana poetically
inspired
rambling rumble http://www.geocities.com/rchlsk/ed.html, http://www.pseudoarcana.com roel
meelkop /
am birkenwald / momentum / nonvisual objects high
insect
pitches
allow the arrival of clean static bursts http://www.nonvisualobjects.com rinus
van
alebeek
/ side two
/ taoist attack / - on
side two
we find
ourselves with radio and more disembodied voices keith
de
mendonca
/ finch dawn chorus
town
rising
/
-
/
- more
flighty
and watery
untreated kefalonian recordings making our mixed backdrop http://www.dismbody.demon.co.uk slow
slow
droning
textures
recorded in abandoned artillery bunkers and tunnels in
hills roel
meelkop /
locgroove / momentum / nonvisual objects more
contrasting
textural
statics
and
rumbles
from
a
2002
installation http://www.nonvisualobjects.com stern/guerra
/ avierys
/
outdoor
bowers
/
pseudo
arcana birds,
windlike
breath,
distant
rings
and
finger
fumbling
11.11.05 an
edition
recorded on the
road this week - we compiled and constructed this program while
visiting les
tribardieres in st george les landes, about 50 km outside
this program featured some melancholic long droning works from daisuke suzuki, brendan walls and darren tate, along with some sharper more untreated composition from felicily ford (check out her website!) and simon vincent. we also heard another track from recent italian discovery punck, some environmental sounds from percussionist and instrument builder eric leonardson, and some more of keith de mendonca's kefalonia recordings.
keith de mendonca / framework intro crickets near a restaurant in kefalonia http://www.dismbody.demon.co.uk
felicity
ford
/
reorganised but otherwise untreated sounds from the best room in the house http://www.littlesongbox.co.uk/
daisuke suzuki & brendan walls / aftertaste / aftertaste / donovan's hands grating internal percussion and heavy sinking tones
punck / almost nothing / nowhere campfire tapes / ctrlaltcanc & afe records birds, air traffic, remote control cars, disembodied voices and resonating glue... http://www.punck.net, http://www.ctrlaltcanc.tk, http://www.aferecords.com
keith de mendonca / sea at paradise beach - agia efmia / - / - untreated recording from keith's disc of kefalonia sounds http://www.dismbody.demon.co.uk eric
leonardson
/ chase / radio reverie in the waiting place
/
innocent eyes and lenses tapes, synth, television, environmental sounds, and objects - originally a theatrical soundtrack http://www.subliminal.org/eleon
simon vincent / shinkansen / - / - dense composition constructed from sounds recorded in japan http://www.visionofsound.co.uk
darren tate / track 2 / age and transformation / fungal long slow organism - guitar, field recordings, radio, concertina and keyboard http://www.icrdistribution.com/darrentate.htm
| top
|
28.10.05 we framed this week's edition with two sizable samples from lethe's (who you may also know as one half of the location improvising duo kuwayama-kijima) recent double cd on cloud of statics entitled catastrophe point #1 & #2. lethe makes all his source recordings is a large empty warehouse space, using what sounds like materials found therein and occasional instruments - the recordings paint quite a picture or the space, and his carefully constructed compositions pit close-up tiny sounds with distant thunderous barrelling. this double cd makes for quite a document.
xan phillips (apparently a prolific podcaster - see his website at http://www.xan.co.uk) recently sent us this recording made outside the oval during the final few minutes of the game that finally won england the ashes - yes, a very topical recording indeed, or at least it would have been if i'd managed to get in on the air even remotely soon after i received it! but it still makes for a good listen, and provides a nice segue from screaming fans to howling monkeys. can you tell which are which?
the rest of the edition was an exercise in unexpected blending - douglas quin's amazing untreated recordings from the brazilian rainforest somehow complimented perfectly ben owen's high pitched and staticy fm-transmitter-and-record-player sound constructions, which completed tobias c. van veen and tomas phillips' live minimal jigsaw puzzle, which cleared a path for steve roden's breathy rice-dreams. all in all a rather enveloping show, i think...
bobby hick & phill harding / framework intro walking along a footpath by a farm complete with rottweillers, ducks, geese, sheep and alpacas
lethe / disc 1 track 1 / catastrophe point #1 & #2 / cloud of statics spacious
compositions
from
ambient
warehouse
junk
manipulations www.lethe-voice.com, http://www.cloudmirror.org
xan phillips / binaural britain - england wins the ashes / - / - on
site
recordings
of
the
sound
of
the
oval
at
the
moment
the screeching call of the brown howler - or are those just more cricket fans? http://www.dqmedia.com, http://www.earthear.com
ben owen / track one / february_fm transmitter/radio/record player / - an aural sketch from owen's 2004 monthly sound journal, mixing nicely with... http://www.seasonalbk.net, http://www.seasonalbk.net/2004soundjournal.html
tobias c. van veen & tomas phillips / if not, winter / if not, winter / and/oar ...these sparse tonal patterns recorded live in 2004 at the deep/listening event http://www.quadrantcrossing.org, http://www.and-aor.org
a
cacophonous
melee
of
tree-
and
ground-dwelling
frogs
and
insects http://www.dqmedia.com, http://www.earthear.com steve
roden
/
oder
delias
or
butterflies
/
oder
delias
or
butterflies
/
nonvisual
objects a
dream-inspired
composition
with
a
handmade
flute
and
various
tinkling
sound
sources http://inbetweennoise.com, http://www.nonvisualobjects.com the
stream
gets
the
credit,
but
the
avian
choir
is
vying
for
attention http://www.dqmedia.com, http://www.earthear.com lethe
/
disc 2 track 1 /
catastrophe
point
#1
&
#2
/
cloud
of
statics
and
full
circle
we
come
back
to
a
building
crescendo
of
more
closely
recorded
warehouse
minutiae www.lethe-voice.com,
http://www.cloudmirror.org
21.10.05 another edition of few and long presentations, including two releases from the excellent swiss cloud of statics label (which together with orogenetics and soundmirror make up cloudmirror) - one from their series of short works, by spiracle, and another from the long works (in exquisite hard-bound packaging) by jgrzinich. we also heard some excellent unpublished work by another of our new acquaintances from our recent journeys, the latvian composer makims sentelevs, aka my-ym, from his project the mole. also present were two other repeating framework offenders - one last track from the collection of unpublished compositions sent to us by french composer emmanuel mieville, and, after so many of his wonderful untreated field recordings, a sampling of jeph jerman's live presence, as released by anomalous records (r.i.p.).
bobby hick & phill harding / framework intro recorded
on
a
trampoline
in
a
barn
at
spring
hill
farm,
spiracle / iris / iris / cloud of statics organic groaning found objects and field recordings spiral down...
emmanuel mieville / mort de la phalene / flutter soundscapes / - delicate natural soundscapes, flash and flutter, scratch into our ears...
jeph jerman / the second attention / the second attention / anomalous records live document of one of jerman's incredible live performances, recorded in 1999 http://www.davidstanford.com/jerman
my-ym / part four [underground] / the mole / - latvian composer's 'maximal' composition, digging and burrowing, and ringing behind you...
jgrzinich / call of a brazen corona / equal and distant lines / cloud of statics deep and distant sounding metal, the door opens to disturb the balance http://maaheli.ee, http://www.cloudmirror.org
14.10.05 our
first
session in our new
8-9pm timeslot found us drifting back into slow-build mode, perhaps
helped
along by an early audition of heribert
freidl's new bradycard release,
named for a medical term which means 'to
have a very slow heart rhythm.' another impeccable untreated
recording
(this time very close up with a rabbit) by jeph
jerman led us deeper down, into the depths of a live performance
at
now,
i think i
have
successfully battered our broadcast time-change into skulls all around,
however
i did blunder slightly by implying (well, stating...) that our
wednesday
morning repeat would remain unchanged. this, in fact, was
completely
untrue. framework will continue to be repeated weekly,
and these
repeats will remain on wednesday morning, however, from this week
we take
up our new repeat time on
keith de mendonca / framework intro the
tide
lapping
under
breakwater
boulders
recorded
at
the
harbor
in
agia
efmia
in
kefalonia
heribert freidl / expand / bradycard / nonvisual objects processed cymbalon and a building storm to slow our heartbeats http://www.nonvisualobjects.com/heribert_friedl, http://www.nonvisualobjects.com
jeph jerman / rabbit / - / - very quiet close-up recording; field-recording macro mode http://www.davidstanford.com/jerman
arturas bumsteinas / track one / live @ rixc / organic pipeline slow-building
lithuanian
groans
and
textures
recorded
live
in
http://www.bumstein.com/art, http://www.organicpipeline.com
fred inklaar / half the world hussein
down
with
evocative
collection
of
recordings
from
various
social
situations
around
http://www.inklaar.net (nb: great site - have a look!)
mpld / track one / rncdr#4 / - solo improv for prepared and laptop manipulated slide projectors (available for download on the website below)
bill thompson / track one / mcalpine construction site, footdee / autumn records unbelievable untreated recordings of the wind singing through scaffolding poles http://www.billthompson.org, http://www.autumnrecords.net
| top
| 30.09.05 well,
after
a
few
weeks
of
long
tracks
and
sort
playlists,
we
squeezed
quite
a
few
in
this
time
around,
largely
due to featuring the latest and last of the phonography.org
compilation
series of untreated field recordings - the website and mailing list
continue,
but the and/oar produced compilation series (having released 9 (!)
compilations
in the past few years) has come to an end in its present form.
for more
info on what form future phonography.org projects may take keep an eye
on the
website: http://www.phonography.org. adam
wimbush /
framework intro 23.09.05 after
another
great
traveling
intro,
we
started
this
week's
program
with
a
track
from
one
of
my
favorite
discoveries
from
this
summer's travels - mountains,
who
i
was
lucky
enough
to
see
perform
in
brooklyn,
combine
acoustic
guitar
and other simple string and drone instruments,
in a
well-blended duet with series of mostly unmanipulated field
recordings.
this live track is a long slowly developing piece, in which the field
recordings initially take the forefront, only to be joined later
by a
warm, melancholy, repetitive guitar... joseph
young
/
framework
intro 16.09.05 a last minute special guest in the studio this week; seth nehil, at the beginning of several months of european travels, joined us in the studio to present several parts of a new unreleased work composed from a series of recordings taken in new york city's chinatown. seth will be in europe for several months and will play several gigs in italy, both solo and with collaborator jgrzinich, so, for our italian listeners, keep your eyes peeled for details!
seth's visit was preceded by another chunk of sounds from our stacks - we've just about waded through everything that sat home waiting for us during our travels, and we will soon begin delving into the material we collected while away. this week one of jgrzinich's two excellent recent releases shared it's resonances with one of dallas simpson's seascapes, and an extremely collaborative dale lloyd. his new con-v release, amalgam, features 11 collaborations with 11 different artists in it's 11 different tracks - unfortunately, if the cd i was sent came with info on which tracks are with which collaborator (and it may well have) i no longer have it; nor was i able to find detailed track info online, so i'm afraid i don't know which collaborations i played. if anyone knows based on the track numbers, please let me know, and i'll credit those artists retrospectively...
lastly,
a
public
service
announcement:
it
has
come
to
our
attention
that
ubuweb
is back online - if
you don't know about this
resource, it is well worth checking out. have a browse at http://www.ubuweb.com and you'll see
what we
mean. phill
harding
/
framework
intro recorded
at
4:30am
inside
an
airing
cupboard
in
thornton,
dale
lloyd &
omnid
/ 412.13 /
amalgam
/
con-v jittering
fragments
come
to
a
deep
rumble of
airy
contemplation http://www.con-v.org, http://www.and-oar.org/dalelloyd.html jgrzinich
/
.e
27
:
n
58
/
insular
regions
/
sirr.ecords metallic
resonances
in
a
building
tonal
tension
leading
towards
a
second
portal http://maaheli.ee, http://www.sirr-ecords.com dallas
simpson
/
port
erin
/
-
/
- a
fine
seascape
environmental
improv
from
a
framework
regular dale
lloyd &
jon
tulchin / 412.1020 & k.m. krebs / 412.111311 / amalgam / con-v nervousness
and
crickets
in
the
first
instance
make
way
for
a
layer
of
ventilated
density http://www.con-v.org, http://www.and-oar.org/dalelloyd.html seth
nehil
/
live presentation in the resonancefm studios seth
joined
us
in
the
studio
to
speak
about
and
play
several
parts
of
a
new
as-yet-unreleased
project http://www.kaon.org/seth_nehil/pages/index2.htm 09.09.05
well folks, we are finally back in the studio after a long, long time away - i hope you enjoyed your chance to hear so many of the framework:focus programs again during our summer repeat schedule, but i hope as well that you're as pleased as we are to be back with these piles of new material. this week we started the long task of getting through them - in fact we didn't even quite catch up with what was waiting to be played before we left! we framed our show with a fantastic new piece (in fact a work-in-progress, he informs us) by chris watson - a stereo mix-down of a quadruple hydrophone array recording the surf in tortuga bay on the galapagos islands. from within this bay we sampled sounds from meri von kleinsmid, joe colley, jim hoult and a glorious project from a few years back by doug haire - nineteen american waysides features location recordings of america's lost highways, in which are installed bizarre distant manipulations of old 78 rpm records, wafting by in the distance, amongst the rumble of traffic or insects. this really is a beautiful example of themed phonography - check it out!
we also featured a framework intro recorded during our travels by estonian ceramic and installation artist mariliin kindsiko - now, there were many more of you we met out there who promised intros, don't think we've forgotten! we'll be looking out for them in the post soon... mariliin
kindsiko
/
framework
intro recorded
in
an
estonian
forest
while
mushroom
picking
in
a
light
rain doug
haire
/
tarkio, mt 3:30am/sumatra, mt 2pm / nineteen american
waysides / anomalous two
clattering
engines
weave
while
a
disembodied
voice
wanders
in
the
distance... joe
colley
/
future screaming / psychic stress soundtracks /
antifrost circuit
glitches
and
found
sounds
build
to
a
pulsating
crescendo chris
watson
/
tortuga
bay
/
-
/
- in
the
midst
of
a
massive
surround
seascape doug
haire
/
i-15s at id/ut border 4pm / nineteen american
waysides
/ anomalous trafficless
midday
roadside
-
we're
left
only
with
the
insects
and
the
odd
78
additions... jim
hoult
/ wave
organ / - / - beautifully
minimal
reverberations
of
waves
captured
by
enclosed
space meri
von
kleinsmid
/ the rats in the walls / ex vivo /
mimeograph if
these
are
rats
they
can
have
the
walls,
and
the
ceiling
and
floor
as
well doug
haire
/
myrtle beach, sc midnight/abilene, ks sundown / nineteen
american
waysides / anomalous whistling
harmonics
make
way
for
singing
traffic
and
wildlife meri
von
kleinsmid
/ ethereal tether / ex vivo /
mimeograph dense
rumble
of
birds,
a
tin
can
1/4
full
of
water,
traffic
and
voice joe
colley
/ all
of us are monsters and all of us think the others are monsters
/
psychic stress soundtracks / antifrost a
bass
rumble
is
agitated
by
a
metallic
squeak
until
it
cracks doug
haire
/
alto, tn midnight/melstone, mt 2:30pm / nineteen american
waysides / anomalous one
last
sampling
of
swirling
roadside
ghosts... chris
watson
/
tortuga
bay
/
-
/
- ...brings
us
back
to
the
sea | top
| 08.07.05 so, folks, as of tonight framework will be entering that most ubiquitous of things, the summer repeat schedule! my own schedule and upcoming travels have made this a necessity - the first break framework has had in it's 3 year history! i must say i am pleased to be able to give another airing to the selected programs, which are all framework:focus editions from the last year, starting with earlier editions and working up to a repeat of aaron ximm's fine one minute vacations program in late august. i will send out playlists as usual repeating the schedule information and reprinting the program info from the program's original mailout. please, however, don't stop sending material for airplay! i will still be collecting submissions and intro submissions for the resumption of normal broadcasting as of the 26th of august!
and let me also explain where i will be during this time: i leave shortly for a trip home to the states, where i will be playing my first ever u.s. gigs. these will be happening on the 16th of july in boston, the 23rd of july in new york city, and the 30th of july in portland, maine. if you are in any of these places, please come along and say hello! soon after that i will be departing for the PostsovkhoZ5 festival at moks in tartu, estonia, where i will be creating a new sound installation around the festival's theme for 2005, public/private. again, if you are nearby (slightly less likely), please drop in! you can find detailed info on all these activities on my website, http://www.murmerings.com. framework summer repeat schedule (air date / original air date / subject)
friday, 8 july, 8:30pm bst / framework:focus
edition from 22 october 2004 / chris watson: wildtracks
(repeated
on
wednesday,
13
july,
11:00am
bst) friday,
15 july,
8:30pm bst / framework:focus edition from 19 november 2004
/
marc behrens: architectural
commentaries
(repeated
on
wednesday, 20
july,
11:00am
bst) friday,
22 july,
8:30pm bst /
framework:focus
edition from 17 december
2004 / jeph jerman: the
work
of
(repeated
on
wednesday, 27
july,
11:00am
bst) friday,
29 july,
8:30pm bst /
framework:focus
edition from 18 february
2005 / dallas simpson: peggy's
paradise
(repeated
on
wednesday, 3
august,
11:00am
bst) friday,
12 august,
8:30pm bst / framework:focus edition from 18 march 2005 /
john
kannenberg: the audible still
life
(repeated
on
wednesday, 27
july,
11:00am
bst) friday,
19 august,
8:30pm bst /
framework:focus
edition from 27 may
2005 / aaron ximm: one
minute
vacations
(repeated
on
wednesday, 27
july,
11:00am
bst) | top
| 24.06.05
well, back from a momentarily very wet, but overall rather pleasing glastonbury festival - hardly made it out of our crew area, as usual, but had a good time mingling amongst the customers of our swanky establishment, and even met up with another resonance presenter, mic in hand, who managed to blag a free sample from the dessert trolley to eat on-air for an upcoming clearspot. he also promised to record up an intro and send some festival sounds for the show, so maybe an upcoming framework glastonbury special! the sounds of washed out tents floating away, perhaps...
in this show we heard sounds from the great wildlife recordist douglas quin, from an amazing collection of antarctica recordings; we also heard a wonderful new cd by loren chasse on ex-framework presenter joel stern's naturestrip label, had another listen to the wonderful new dead letters spell out dead words cd on con-v, and sampled sounds from pablo reche & ubeboet, prolific framework contributor keith de mendonca, and rolf julius.
chris weaver / framework intro provided by resonancefm's very own station manager chris weaver, a sneak peak into the daily sounds of mission control
douglas quin / weddell seals (mothers and pups) / antarctica / wild sanctuary like chris watson's laughing hippos, this is a recording that just makes me giggle... http://www.dqmedia.com, http://www.wildsanctuary.com
dead letters spell out dead words / tracks 13 - 15 / no words / con-v the final section of this wondeful organic sound opus, more crunch and ripping drone http://www.deadwords.org, http://www.con-v.org
loren chasse / the tree on the sky / the air in the sand / naturestrip composition made from ambient re-recording of found sounds and objects in various locations http://www.23five.org/lchasse, http://www.naturestrip.com
reche - ubeboet / littoral / coll.01 ep / zeromoon field recording drones and washing rumbles from this spanish - argentinean collaboration http://www.pabloreche.com.ar,
http://www.zeromoon.com,
http://www.con-v.org/ube keith
de
mendonca
/
electrical
activity
/
-
/
- constructed
from
field
recordings
of
urban
electromagnetic
radiation http://www.dismbody.demon.co.uk douglas
quin
/
at
the
sea
ice
edge
/
/
antarctica
/
wild
sanctuary
incredible
almost
unnatural-sounding
underwater
recordings
of
leopard
and
weddell
seals
and
orcas http://www.dqmedia.com, http://www.wildsanctuary.com rolf
julius /
der klangzaun / klangbogen (small music vol. 2)
/ small
music natural
sounds,
electronic
chirps,
insects,
birds
water
-
a
wonderful
cacophony http://www.medienkunstnetz.de/artist/julius/biography loren
chasse
/ the
air
in
the
sand
/
the
air
in
the
sand
/
naturestrip calming
airborn opening
track, location
awareness
vs
otherwordly imaginings http://www.23five.org/lchasse,
http://www.naturestrip.com rolf
julius
/ der bach / klangbogen (small music vol.
2)
/ small music untreated
babbling
brook
recording
to
lull
us
out... http://www.medienkunstnetz.de/artist/julius/biography 17.06.05
you'll forgive me if this note is brief - i am manically preparing to set off for glastonbury festival (believe it or not!). not, as you might imagine, to catch the acts on the main stage, but to slog away all night in the lost vagueness black tie restaurant, to which i have a long link. yes, i will be working long hours, so if you're in the vicinity, drop in and say hello - i'll be the one near the bar with the ridiculous moustache... more to the point, this was a great show, featuring a tbc md that i've had in my 'to play' pile for far too long, a spectacular live bmb con. live mini-cd. and a local (as local is it's gets - two streets over from framework central!) cd from stoke newington's own scrawn.
if you haven't already, do drop in and have a gander at the new framework website - plenty of info including a full playlist archive from the past years of broadcasting, and coming soon an on demand stream of the latest program. it's at http://www.resonancefm.com/framework, or by following the 'radio' link on my website, http://www.murmerings.com.
keith de mendonca / framework intro a london construction site http://www.dismbody.demon.co.uk/home.html
bmb
con.
/ hause
der neiderlande, munster. 1995 / bmb com. #8 /
staalplaat textures,
static,
and
found
objects
from
this
dutch
collective http://www.bmbcon.demon.nl/con,
http://www.staalplaat.com gino
zardo
/
walking east / walking east / alluvial very
raw
found
sounds,
raw
recordings
by
zardo,
composition
by
janek
shaefer http://www.ginozardo.com, http://www.audioh.com, http://www.alluvialrecordings.com bmb
con.
/ monestary, plasy, 1995 / bmb com. #8
/
staalplaat birdsong,
whistles,
cracks
and
creaks
-
another
live
performance http://www.bmbcon.demon.nl/con,
http://www.staalplaat.com tbc
/
they
never
come
to
hit
the
public
/
-
/
- unreleased
long
composition
of
feedback,
found
sound
and
noise,
noise,
bmb
con.
/ river ems, 1995 / bmb com. #8 /
staalplaat tonal
whistles,
and
what
sounds
like
water
and
ice http://www.bmbcon.demon.nl/con,
http://www.staalplaat.com punck
/
a
movie
without
images
/
a
movie
without
images
/
ctrlaltcanc strange
static,
hovering
found
voices,
and
startling
soundscapes http://www.punck.net, http://www.ctrlaltcanc.tk scrawn
/
chinese
kitchen
drone
/
delayed
reactions
/
- live
processed
mixture
of
extractor
fan,
chopping,
voice
and
rattling
bins scrawn
/ baby
crying
in
a
seat
nearby
/
delayed
reactions
/
- mechanical
croaks
and
creaks
on
the
train
with
anonymous
lyrics
from
a
nearby
baby radoslaw
kowalski
/
portasound
/
-
/
- mp3
submission
constructed
from
the
sounds
of
a
polish
kitchen scrawn
/ hovering
pigeon
/
delayed
reactions
/
- untreated
recording
of
a
pigeon
eating
from
a
bird
feeder thelmo
christovam
&
fernando
s.
torres
/
menthe
de
chat
a
/
menthe
de
chat
/
tractor-like
rumbles
and
airy
drones
combine
in
this
long
composition http://thelmocristovam.multiply.com/, http://www.kkfs.trix.net/menthedechat/catalogue/chat005.htm stephan
mathieu
/
nibbio / the sad mac
/
headz wind
and
birds
make
way
for
beautiful
melancholy
waves stephan
mathieu
/ luft
von
anderen
planeten /
the sad mac / headz one
last
track
of
found
sounds
and
drifting tones
-
a
highly
recommended
album! 10.06.05
another great intro recorded by keith de mendonca preceded a superb collection of new sounds this week, namely eric la casa's excellent new cd on fringes, stephan mathieu's latest endeavour the sad mac, and a plethora of unreleased sounds from phill harding, meri von kleinsmid and mike harding. mike gave us a somewhat confusing field recording for airplay, the lure of which we couldn't resist: a recording of resonancefm's reception at his home in balham, south london (hopefully it sometimes gets better than that). what happens when you play a recording of a radio station from afar on the same radio station from the studio? does the world implode? we had to find out...
once again, if you haven't already, drop in and have a gander at the new framework website - plenty of info including a full playlist archive from the past years of broadcasting, and coming soon an on demand stream of the latest program. it's at http://www.resonancefm.com, or by following the 'radio' link on my website, http://www.murmerings.com.
keith de mendonca / framework intro recorded
in
the
humming
massive
space
of
the
turbine
room,
tate
modern
gallery,
http://www.dismbody.demon.co.uk/home.html
eric la casa / part 1 / les oscillations / fringes the first part of a mirrored couplet of organic textured and tonal soundscapes http://ascendre.free.fr, http://www.fringesrecordings.com
mike harding / resfm in balham / - / - a reflective field recording (who's listening to who?) - reception gone wrong
phill harding / damems / installations / - soundtrack to a collaged multimedia collaboration with artist's group hub stephan mathieu / theme for oud amelisweerd / the sad mac / headz beautiful slow-building mix of tonal waves, found sounds and environmental recordings
meri von kleinsmid / inside seattle's king street station / - / - raw phonography recently featured as part of a project by soundscapepgh http://www.latibulum.com/mvk, http://www.soundscapepgh.org
mike
harding / resfm
in balham / - / - more
reception
troubles
-
can
you
tell
what
show
we're
listening
to? eric
la
casa /
part 2 / les oscillations / fringes the
mirror
-
using
the
same
elements
as
part
1,
we
retrace
our
steps http://ascendre.free.fr, http://www.fringesrecordings.com mike
harding /
resfm in balham / - / - just
in
case
there
was
any
doubt... | top
| 27.05.05 this week saw the broadcast of our may edition of framework:focus, featuring one of my favorite phonographers' community projects of all time, aaron ximm's one minute vacations. for 3 1/2 years, aaron has been faithfully posting a new one minute vacation for our listening pleasure every monday on his website, http://www.quietamerican.org (click on the hollow flag) - the vacations have their origins all over the world and are submitted by all levels of recordists. each recordings is a 60 second untreated field recording, an aural snapshot, a quintessential framework. we sampled 60 (natch) of these one minute recordings, and were treated to aaron's own insights on the project, on his own work, and on the art of listening. a definite gem of the framework:focus series - if you missed it, do try to tune in to wednesday's repeat!
i have another announcement to make, which is that framework's website is finally online! it is still being polished, but at the moment you can find info on the program, contact addresses, introduction recording guidelines, and a complete archive of our 4 years of playlists! and coming very soon (the fairies are working away as i type) we will be streaming the latest edition of framework for a full week, from wednesday to wednesday, after the 11am repeat, with an extra week's stream for our focus editions (during our off-week - the first of each month). we should be able to get that sorted in time to have aaron's focus available before our next live broadcast on june 10th. framework's website is available here: http://www.resonancefm.com/framework, or by going to my recording project's website (which i will permit myself to plug here - lot's of info, images and sound already available), http://www.murmerings.com, and clicking on 'radio.'
all tracks available for download on the one minutes vacations page (behind the hollow flag) at http://www.quietamerican.org artist / title / original post date
mark ragsdale / haeundai rock / 23.05.05 anla courtis / buenos aires birds / 25.04.05 arnaud of tmrx / bmx bikers / 06.09.04 ben dixon / jumping in / 25.11.02 ben owen / rain onset / 21.03.05 bronwyn ximm / carmen alta / 11.08.03 cedric peyronnet / kdidctb096 / 11.02.02 christopher delaurenti / kalaloch / 01.04.02 daryl richel / israel air raid / 20.09.04 david kuhn / nene / 30.09.02 derek bf gunnlaugson / brandon river / 25.10.05 eric la casa / rue de la casa / 12.06.04 eric van der wyk / birds of verona / 12.05.03 evert velthuis / kanne / 09.12.03 fabian mohr / seekaralm / 29.09.03 gintas k / passat / 12.01.04 ben adair / love and happiness / 10.06.02 grant finlay / auckland dawn chorus / 13.12.04 greyg filastine / morocco / 19.05.03 kaveh soofi / gamelan squelch / 17.06.02 gunther reiche / ahrenshoop / 05.05.03 jarra schirris / thaipusam / 20.05.02 jeff sampson / mahjong / 10.02.03 joe balestreri / bosque / 20.10.03 jonathan coleclough / air-vent / 26.01.04 keith w. jenkins / vaf meet / 04.10.04 xavier briche / tricycle / 08.03.04 ken reisman / market / 08.09.03 marc levisohn / prayer / 11.11.02 lady raven / elk / 13.10.03 larnie fox / sanding / 08.12.03 lonesomeshank / barcelona drone / 07.02.05 herr axelsson / archipelago / 03.03.03 mandy j.watson / eiffel observation / 10.01.05 marcelo radulovich / funzone / 28.04.03 jules bernstein / antarctica / 30.06.03 anders ostberg / factory museum / 07.03.05 matteo trissoglio / cascatella / 18.10.04 michel de boer / modern technic / 08.11.04 murmer / fire-juggling / 07.07.03 peter thiede / yeravan / 28.02.05 rod stasick / family owl / 18.04.05 aaron ximm / buriganga / 22.09.03 russell fincher / aquaria / 03.11.03 dr. frank veet / dolphins / 10.11.03 sarah elzas / avanos / 26.04.04 keith de mendonca / victoria emr / 21.06.04 takahiro kawaguchi / nye gong / 04.04.05 andrew duke / snow walk / 22.12.03 toby paddock / fireworks / 05.08.02 andrew lackey / tires / 05.04.04 vc scafati / pyrolarium / 14.04.03 bill thompson / midnight horns / 24.01.05 wolfgang menzel / canary crickets / 13.09.04 tim cabassi / yakitori man / 21.02.05 yannick dauby / clansnight / 25.08.03 nicolaus kuzyk / dousing the fire / 17.01.05 dawn neal / atherton / 17.11.03 aaron ximm / backwaters / 21.01.02
20.05.05 many fine surprises in this edition, among them a superb new release by thomas ekelund, aka dead voices spell out dead words, on the con-v label, a great and, for me, newly discovered release by justin bennett from 1998, and some eerie icy sounds from one of framework's newly made hungarian contacts. we started of this show with a track of twisted broken organ playing in the first sample of the providence, ri, based cdr label free matter for the blind. this was preceded by yet another excellent intro recorded by our very own adam wimbush. intros have been slow to come in of late (except for adam and his unknown - to adam, that is - co-conspirator keith de mendonca, who've been carrying the torch for me together for awhile now), so: DO IT! NOW! go get a microphone, a dictaphone, a tape recorder, dat, md, whatever you please, and record a framework intro! the guidelines are below - now i will sit back and wait for the tapes/discs/mp3s to come rolling in...
next week's program is not to me missed: the may edition of framework:focus features aaron ximm's (aka the quiet american) one minute vacations project - amid a soundscape of, yes, you guessed it, 60 vacations from the past 3 1/2 years, we hear aaron's thoughts on the project, it's conception, and the phonographic arts in general (as well as the clinking of the ice cubes in his scotch - now i, personally, wouldn't recommend ice in a laphroaig, aaron! ; ) for more info on aaron's work and one minute vacations, see http://www.quietamerican.org, and click on the hollow flag.
adam wimbush / framework intro recorded
in
a
very
peculiar
elevator
in
a
hotel
in
sharm
el
shiek
in
mudboy / salitron wave / this is folk music / free matter for the blind bizarre homegrown waves of environmental sound and malfunctioning organ http://www.mudboymusic.com, http://www.freematterfortheblind.com
jeph jerman / air conditioning unit / - / - percussive symphony of rattles, clicks, hums and whirrs http://www.kaon.org/jeph_jerman, http://www.davidstanford.com/jerman
justin bennett / panorama stof / demolitions / spore spectacular sonic degradations of wide capturing sonic environments
dead letters spell out dead words / track 1 / no words / con-v raw but emotive workings of bass rumbles and clicks and clacks that appear to be a purring cat enjoying a meal http://www.deadwords.org, http://www.con-v.org
justin bennett / demolition shelter / demolitions / spore more disintegrating locations, leading us to the warmth of this work's closing henrik hargitai / 1 / - / - frozen sounds as ice sheets pass above and below one another on a hungarian lake
keith de mendonca / longplayer, remembered / - / - part of the remix project of jem finer's longplayer project, reworked with recordings of big ben http://www.dismbody.demon.co.uk/home.html, http://www,longplayer.org
henrik
hargitai
/ 2
/
-
/
- hunting
more
elusive
icy
sounds,
an
incredible
bassy
twang
that
appears
when
least
expected dead
letters
spell out dead
words / track 3 track
4 track
5
/ further
evocative
segments
from
this
single
long
rumbling
soundscape
of
familiar
fragments http://www.deadwords.org, http://www.con-v.org emmanuel
mieville
/
mort
de
la
phalene
/
flutter
soundscapes
/
- long
tidal
composition
of
nearly
untreated
watery
sounds 13.05.05 new sounds this week from many old favorites: a new cd by keith berry on crouton music, as well as a great double cd collaboration on antifrost between marc behrens and nicolaus heyduck entitled plastic | metal, each disc composed entirely from sounds produced by one of those two materials. we were also lucky enough to receive a new disc of unreleased recordings from jeph jerman (we'll hear more from that disc in the coming weeks), the most recent outing from philip jeck (including a framework-appropriate turntable-hum track!) and new works, released and un-, from the dutch composer boca raton.
it's somewhat late now, but, as we mentioned on the air, if you're in london you have one more day to catch an interesting exhibition of sound installations entitled me and my shadow, featuring work by chris watson in collaboration with thor mcintyre-burnie, duncan whitley, loretta bosence and liz haven. it's at wilton's music hall in london's east end, and tomorrow's the last day. the exhibit closes at 7pm, but there is a closing performance at 8pm by janek schaefer and philip jeck - not to be missed! for more information see the organiser's website at http://www.measure.org.uk, and click on me and my shadow at the bottom,
steve thomas & marie-anne mcquay / framework intro another
intro brought to us by the folks at fact,
this time in a palmhouse in a liverpool park
behrens & heyduck / - / plastic | metal / antifrost an
opening metallic track of ringing silences http://www.marcbehrens.com, http://www.antifrost.gr
keith berry / cars keep passing by... / the ear that was sold to a fish / crouton high
tones, organic drones and watery field recordings http://www.inbetweensilence.com, http://www.croutonmusic.com
boca raton / - / mansdoof / absurd jittery
composition of organic staticy textures
behrens & heyduck / - - / plastic | metal / antifrost two
untitled tracks, one each from plastic (do i hear
bubble wrap?) and a mellower tonal soundscape from metal http://www.marcbehrens.com, http://www.antifrost.gr
jeph jerman / abandoned power line / - / - unreleased
long wire recording, reminiscent of alan lamb's
classic telegraph wires http://www.kaon.org/jeph_jerman,
http://www.davidstanford.com/jerman keith berry / fuscous presages don't help... / the ear that was sold to a fish / crouton scratchier
more textured outing from later in the
work http://www.inbetweensilence.com, http://www.croutonmusic.com boca raton / botanics / - / - metallic
manipulated birdsong and natural landscapes
philip jeck / bush hum / 7 / touch composed
entirely from the sounds of the mechanism of
one of jeck's bush turntables http://www.philipjeck.com, http://www.touchmusic.org
behrens & heyduck / - / plastic | metal / antifrost a
final material composition, full of crunch and
crackle http://www.marcbehrens.com, http://www.antifrost.gr
boca raton / - / mansdoof / absurd and
a melancholic tonal outing from this dutch artist
to finish things off
| top
| 29.04.05 after being completely blown away by rsundin's recent antifrost release, hagring (which we listened to back in february), we went back to some older efforts, the first two parts of his series on wake-dreaming, which were released respectively on bake and ground fault. these, needless to say, are great as well. we heard some live material from mnortham and hitoshi kojo's collaborative project, kodama, recorded on the site of an installation they created for the swiss arts center arsenic, in lausanne (a recording which also features a cameo appearance from some other framework favorites, kuwayama-kijima). this led to more pleasant surprises from the realm of collaboration when we sampled the excellent new effort from the american helen scarsdale agency by fellow northerners b j nilsen (sweden) and stilluppsteypa (iceland). also sampled were the more delicate soundscapes created by archive, in an mp3 only release entitled music in black and white, and an unreleased work by cheapmachines.
alan dunn / framework intro a distorted celebrational intro recorded at a do in liverpool with the folks at fact
rsundin / dreamsketch IV / dreamsketch / bake a
beautiful
rustling
collage
of
hard
cut
mysterious
sounds
recorded
in
umea,
kodama / track 1 / les chambres nuageuses / octpia edited
together
from
a
live
performance
of
field
recording
and
live
acoustics
at
arsenic,
lausanne, http://www.octpia.com, http://preg.org/~mnortham
b j nilsen & stilluppsteypa / en dåre kan fråga mer än tre visa can svara (einn fáviti getur spurt meira en thrír adrir getasvarad) / víkinga brennivín / helen scarsdale agency shimmering viking drones and organic creakings from this northern collaboration http://www.bjnilsen.com, http://www.helenscarsdale.com/siggi, http://www.helenscarsdale.com
archive / in de stijl of the night / music in black and white / darkwinter deep engine rumbles and rattles with piezo-sounding staticy grates on this mp3 release http://www.juniorbirdman.com/archive, http://www.darkwinter.com
rsundin / track 40 / sleepwalk / ground fault short track of textures from another dream-space themed disc http://www.ronsun.net, http://www.groundfault.net cheapmachines
/
ghosting
/
-
/
-
long
composition
of
delicate
shifts,
rumbles
and
whistles
from
the
purveyor
of
the
authorised
version
label http://www.a-version.co.uk, http://www.a-version.co.uk/cheap/ rsundin
/
track 42
/
sleepwalk
/
ground
fault raw
take
of
birdsong,
burbling
water,
and
earthy
crunchings http://www.ronsun.net, http://www.groundfault.net rsundin
/
track 43
/
sleepwalk
/
ground
fault humming
watery
feedback
slowing
crumbling
to
nothingness http://www.ronsun.net, http://www.groundfault.net archive
/
spork
/
music
in
black
and
white
/
darkwinter
flitting
bolts
and
silences
on
yet
another
wet-sounding
source
dripping
and
drooping http://www.juniorbirdman.com/archive,
http://www.darkwinter.com b j
nilsen &
stilluppsteypa / heilir, thorn eirs hlyddu (lycklige
de, som
lyssnat / víkinga brennivín /
helen scarsdale agency another
sampling
from
the
chill
air,
this
time
rambling
further
into
higher
and
creakier
territory http://www.bjnilsen.com, http://www.helenscarsdale.com/siggi,
http://www.helenscarsdale.com 22.04.05 for this, our april edition of framework:focus, we featured a recent project by local london label authorised version entitled ^observer drift, a 2cd compilation consisting entirely of untreated field recordings from a well dispersed collection of artists. the likes of francisco lopez, janek schaefer, leafcutter john, frans de waard and dave phillips bring us distant american thunderstorms, the minutiae of insect larvae, and the chilling freezing of microphones. we heard a solid 60 minute soundscape constructed from these recordings, with a brief interlude of explanation on the project's background.
for any more info on the project, see autorised version's website at http://www.a-version.co.uk, or for specific track details, see http://www.a-version.co.uk/drift.
(all tracks from the 2cd compilation ^observer drift, released by authorised version - http://www.a-version.co.uk)
lasse marhaug / steigen, norway (-20 deg c) 27.12.2001
dave phillips / dusk at khao sok national park, thailand 01.03.2001 cave & bats, khao sok national park, thailand 08.01.1995 insect larvae in cocoons by road, chiang mai, thailand 04.04.1005
leafcutter john / public sound #207, hackney 2003
cheapmachines / domestic 010804 http://www.a-version.co.uk/cheap janek schaefer / [field recording] villanueva de la conception
francisco lopez / untitled #153
anla courtis / walkman in a freezer
michael thomas jackson / intersection of fisher & eugene streets, greensboro, north carolina, usa 31.05.1993 http://www.microearth.com/jackson
frans de waard / klankschap #8
15.04.05 a great show this week focusing especially on the recently discovered (by me, anyway) work of australian sound artist lawrence english - two very different albums; one seemingly made up entirely of untreated hydrophone recordings, and the other full of lush tonal composition. this mixed well with another binaural soundscape from prolific contributor dallas simpson, a look back at one of bernhard günter's compositions from a re-release of an early album, more untreated recording from autumn records (the same label as english's hydrophone...) by ben owen, and some greek rumblings from the ever-present antifrost label. we also heard a few tracks from the album interview with the eggs, by simon keep, which we featured on the show as a cdr a few years back. we are now pleased to announce it has seen the light of day as an official release, on the sub rosa label, no less, and it is well worth a listen...
keith de mendonca / framework intro an evening recording of insects near a pond in speyside, tobago http://www.dismbody.demon.co.uk/home.html
lawrence english / glenelg / limnology / autumn records crackling hydrophone recording from this australian artist
lawrence english / that was a lucky one / transit / cajid media a more composed affair of bulging tones and disembodied radio voices
dallas simpson / settlement / - / - beautiful binaural natural soundscape, leading us from a watery start to a social finish http://www.waterpump.f9.co.uk/
lawrence
english
/
dark
water
/
limnology
/
autumn
records more
hydrophone
recordings,
this
time
featuring
a
distinctly
insect-like
buzz
simon keep / night outside cabin / interview with the eggs / sub rosa processed nighttime insect noises, as if recorded from inside their shells http://www.holkham.net, http://www.subrosa.net
bernhard günter / stone circles (for richard long) / détails agrandis / trente oiseaux earthy rumbles and ghostly harmonising distant tones fill a massive space with tiny sound http://www.bernhardguenter.net, http://www.trenteoiseaux.com
lawrence
english
/
.......dual
process
/
transit
/
cajid
media more composition, this time layering delayed mumbles with watery crackle and hollow bumps
ben owen / track 2 / everglades / autumn records crunchy, heavily stereo contact or hydrophone recordings from the autumn records leaves series http://www.benowen.org/, http://www.autumnrecords.net
simon keep / interview with the eggs / interview with the eggs / sub rosa noisy keening title track, windy, echoey, whistling spaces http://www.holkham.net, http://www.subrosa.net
nightshift / track 2 / nightshift / antifrost field recordings and live electronics duo fill a tiny space with massive sound
lawrence
english
/
collecting
clicks
and
chirps
/
limnology
/
autumn
records as
the
title
suggests,
another
raw
recording
(hydrophone
or
contact?)
of
miniature
life
08.04.05 we sampled almost exclusively unreleased submissions it this edition, both from new artists and old favorites. we began the show with a 20 minute mix of sounds from an installation piece commissioned by fact (the foundation for art and creative technology, liverpool: http://www.fact.co.uk) and created by chris watson. with the help of local residents, chris created two soundscapes, composed from sounds recorded in the city of liverpool, and in nearby sefton park, respectively. the two soundscapes are broadcast on two separate cable television channels in a single towerblock overlooking the city and the park, so residents can switch between the two while looking at their places of origin from their windows. fact was kind enough to invite me down to experience the installation in the home of one of the residents, and also gave me copies of the two soundscapes in order that i be able to share them with you, dear listeners...
we also explored submissions by two new artists to framework, who each sent entire discs of submission, so we should be hearing more from them soon: we heard two raw but creatively executed field recordings from australia's anthony magen (anthonym) and two delicately composed offerings from france's emmanuel mieville. all of this unreleased material was joined by a single new release on colin potter's icr label, the sublime echoings of long heat, the new collaboration by jonathan coleclough and lethe. we heard samples both from the main disc and the limited edition second disc (long heat second part) that comes with the first 250 copies.
marcus lynch / framework intro a distant, metallic intro - recorded, perhaps through resonating metal or glass? http://www.cems.uwe.ac.uk/~mlynch/index.html
chris watson / park / a winter's tale / - a compressed day in the life in liverpool's sefton park... http://www.chriswatson.net, http://www.tenantspin.org
chris watson / city / a winter's tale / - ...and it neighboring cityscape in this tenantspin project http://www.chriswatson.net, http://www.tenantspin.org emmanuel
mieville
/
herbal
dripping
/
flutter
soundscapes
/
- contrasting
rain
and
elemental
rumbling
-
perhaps
the
groaning
of
a
train
on
its
tracks? anthonym
/
shorum
seaweed
/
-
/
- 'shorum
us
a
small
pacific
ocean
beachside
village
a
couple
hundred
km
east
of
melbourne
-
i
sat
in a
1.5m
high
pile of seaweed and recorded' jonathan
coleclough
&
lethe
/
long
heat
/
long
heat
/
icr coleclough
trademark
rumbles
coupled
with
the
site-specific
echoes
of
empty
spaces http://www.minya98.freeserve.co.uk,
http://www.lethe-voice.com/kk,
http://www.icrdistribution.com emmanuel
mieville
/ le
cavalier
king
charles
/
flutter
soundscapes
/
- seascape,
choruses
of
screeching
birds,
distant
hooves
and
the
telltale
sign
of
humanity... anthonym
/
bankers
lamp
study
___
3,
4,
5,
6
/
-
/
- 'contact
mic
recording
of
touch
lamp...
electricity!'
jonathan
coleclough
&
lethe
/
long
heat
second
part
/
long
heat
/
icr rumbles
make
way
for
more
harmonic
tones
and
we
zoom
in
on
the
contents
of
those
empty
spaces
in
this
excellent
second part http://www.minya98.freeserve.co.uk,
http://www.lethe-voice.com/kk,
http://www.icrdistribution.com | top
| 25.03.05 an extensive look at the new touch records release by jacob kirkegaard this week, which is a collection of 'geothermal recordings of vibrations in the ground around the area of krisuvik, geysir and myvatin in iceland.' kirkegaard goes on to explain that 'the recordings have been carried out using accelerometers inserted in to the earth at various places around the geysers, mapping the volcanic aspects of volcanic activity at the surface of the earth.' a fascinating listen...
we also heard new works by mnortham, cria cuervos, xabier erkizia, hitoshi kojo, and a documentation of pauline oliveros' nyc ringout demonstration (consisting of a score for mass public bell-ringing), as recorded by ben owen.
and congrats to john exby, of littleton, colorado, usa, who won the copy of the split mnortham/tbc/brume cd that we gave away in our last regular show. we're building up a little stack of giveaways, so tune in if you'd like to snag one. and if your sending material in, consider sending 2 copies if you'd like to host a giveaway - as obviously it'll be so good that if you only send one i'll have to keep it! ; )
felicity ford / framework intro a watery intro, featuring some washing, some whistling and even some whirring... http://www.littlesongbox.co.uk
jacob kirkegaard / ala / eldfjall / touch early rumbles make way for a shifting elemental rattle http://www.fonik.dk, http://www.touchmusic.ork.uk
mnortham / track 2, track 3 / oreads / - self-released cdr of reworkings of sounds created for 'belle confusion 0247' with francisco lopez
ben owen / edit 1 / ringout observance nyc 082704 / - documentation of pauline oliveros ringout demo - see the website below for more info jacob
kirkegaard
/ gaea
/
eldfjall
/
touch quiet
distant
knocking,
wisping
flows,
eventual
almost
animal
swarming http://www.fonik.dk, http://www.touchmusic.ork.uk xabier
erkizia
/
entresol
III
/
entresol
/
antifrost overlapping
series
of
background
statics,
pure
low
level
environmental
recording http://www.ertza.net, http://www.antifrost.gr cria
cuervos / track
1 / leitfossilien
/ mystery sea minimal
whispers,
organic
cries,
caught
in
the
rain http://www.criacuervos.4t.com,
http://www.mysterysea.net jacob
kirkegaard
/
nerthus
/
eldfjall
/
touch vicious
windy
beating
-
like
being
on the
wing
of
an
airplane http://www.fonik.dk, http://www.touchmusic.ork.uk hitoshi
kojo
/
hiruko
/
ezo
/
optia grating
metal,
creaking
hinges,
an
icy
hollow
rattling jacob
kirkegaard
/ coatlicue
/
eldfjall
/
touch deeper,
engine-like
rumbling;
stay
alert
-
eruptions? http://www.fonik.dk, http://www.touchmusic.ork.uk 18.03.05 this was march's framework:focus edition, featuring a studio visit from the curator of the online mp3 label stasisfield, john kannenberg. john spoke to us about stasisfield's online exhibition the audible still-life, and brought us a selection of the sounds used in it, as well as a number of the resulting tracks from the accompanying cd release. each participating artist was given four directives:
1. construct a still-life 2. create a visual artwork that documents the still-life 3. record the sound that the still-life made 4. create an audio composition derived from the sound of the still life
the resulting exhibition, as well as information on the cd release, can be found here: http://www.stasisfield.com/space/still-life. the second half of the show consisted of live studio performance by john also using some of the material from the exhibition. for more info on the stasisfield mp3 label and the work of john kannenberg, see http://www.stasisfield.com and http://home.earthlink.net/~jkannenberg. glenn bach / two rooms / exhibition glenn bach / phye / cd
hal rammel / highway construction (at rest) / exhibition hal rammel / highway construction (in action) / cd
sawako / dd source / exhibition sawako / dd (dream of the dog) / cd
john hudak / untitled source april 2003 / exhibition john hudak / untitled april 2003 / cd
koura / field (found objects in main port office, gifu, japan) / exhibition koura / okuru / cd
steve roden / mic resting on bookshelf / exhibition steve roden / bookshelf (the titles of visible books) / cd
john kannenberg / live in the resonancefm studios
betsy biggs / deluge / exhibition ethan koehler / stella remembers / cd 11.03.05 we exorcised some ghosts during this edition of framework - over the years our own personal biases have more often than not let us away from voices in our broadcasts (except for my own dulcet tones, of course). the structure of this broadcast, however, was inspired by an antipodean compilation entitled spoken and field, compiled by tim coster and out on a cdr label called claudia. it's 34 short tracks all feature the human voice in some capacity, from overheard conversations to poetry, interviews and family recordings. this opened a window through which both chris watson and felicity ford, two other recently vocal submitters, also jumped.
all of these voices (the voices! the voices!) were not alone however - they were tempered by many other soothing sounds: the beautifully organic ambience of spiracle, some old favorite beequeen, and a few chloe invaders in the form of two jasons (kahn and lescalleet) and the united states of belt.
our next edition (this friday, the 18th of march) is march's framework:focus program, featuring a visit from stasisfield curator john kannenberg. john is bringing many sounds from an online exhibition featuring familiar framework names (steve roden, sawako, john hudak...) entitled audible still life, and will also treat us to our first live studio set of 2005. hope you can listen!
ian cochran / framework intro recorded
on
a
floating
dock
at
the
market
on
granville
island,
false
creek,
beequeen / 10 minutes before the worm / sugarbush / raum 312 an old favorite, this track featuring plenty of water and a harmonising airplane
alicia frankovich / wooden trampoline / spoken and field (compilation) / claudia mostly unintelligible, we discern only an 'oh my god' and something about 'industrial'...
richard
francis
/
tv
remote
control
manual
lost
again
/
spoken
and
field
(compilation)
/
claudia
a
conversation
between
grandmother
and
grandson?
in
any
case,
the
electric
knife
will
definitely
not
work... fiona
connor
/ vanuatu
1
/
spoken
and
field
(compilation)
/
claudia
maybe
someone
can
translate these
multiple
voices
and
let
us
know? chris
watson
/
patagonia
/
two
winds
/
- chris
sets
the
scene
for
us
by
describing
the
setting
of
this
dry,
rustling
wind spiracle
/
exude
/
sympathetic
field
/
octpia forest,
fall,
fog,
insects,
and
wire
recorded
in
oze
(japan)
and
varanasi
(india) chris
watson
/
mt.
sarakura,
japan
/
two
winds
/
- no
scene
setting
this
time,
but
the
locals
are
vocal catherine
garet
/
serkan
and
sara's
ballad
/
spoken
and
field
(compilation)
/
claudia
a
perspective
on
home
and
the
splashing
that
goes
with
it
beequeen
/
the
house
i
live
in
/
sugarbush
/
raum
312 another
not-quite-melodic
gem
of
elemental
scrapes
from
this
1995
(10
years!)
release felicity
ford
/
conversation
with
rajesh
mehta
/
-
/
- what
are
the
implications
of
discussing
the
means
of
capturing
your
discussion? http://www.littlesongbox.co.uk felicity
ford
/
girlsong
/
-
/
- how
did this
little
girl know
what
key
to
sing
in
the
match
the
beequeen
number
she's
being
mixed
with? http://www.littlesongbox.co.uk grace
blindell
/
excerpt
from
recordings
of
gaza
/
spoken
and
field
(compilation)
/
claudia
a
cityscape
of
voices
and
discussion,
a
good
learner felicity
ford
/
jamming
in
a
field
in
ireland
with
diarmiud,
his
broken
guitar,
and
a
horse
that
tried
to
eat (a) my hat (b) my microphone / -
/ - perhaps
my
own
subtle
bowing
of
the
head
to
the
upcoming
st
patrick's
day
and
all
it's
glorious
music http://www.littlesongbox.co.uk spiracle
/
frux
/
sympathetic
fields
/
octpia clear
tones
leading
us
from
our
reel
derived
from
water
and
its
devices united
states
of
belt
/
ping
pong
holiday
/
welcome
to
pancake
alley
/
chloe/champ they
say
ping
pong,
blueberry
pancakes,
fireworks,
wamagadoon,
plus
much
more...
and
they
mean
it! http://www.chloechloe.cc, http://www.champrecords.com jason
kahn
/
jason
lescalleet
/
dronevil3
/
red
room
/
chloe field
recording?
maybe
-
there
are
'tapes'
in
the
credits.
but
who's
counting
anyway? | top
| 25.02.05 this
edition
concentrated
again on long and multiple explorations of just a few releases - 2 long
tracks
from eric la casa's surprisingly manipulated work nuees,
a
collaboration
with
and
accompaniment
for
an
exhibition
by
french
sculptor
jephan
de villiers (released in an edition with a book on de villiers
work); long
looks at 2 unreleased works by adam wimbush and alessandro
fogar;
several dips into ronnie sundin's latest ethereal effort hagring;
and
a
historical
nod
to
the
rusty
hinges
of
pierre henry. next
friday sees peter
cusack's vermillion sounds take the friday 8:30
slot; we'll
be back the following friday, the 11th, for our next edition, and the
friday
after that, the 18th, for march's framework:focus,
featuring a
live studio performance by stasisfield's john kannenberg. mike
harding /
framework intro recorded
on
a
train
to
liverpool,
featuring
two
sandwiches,
giggling
girls,
and
some
mysterious
morse
code eric
la
casa /
aube / nuees / rurart deep
and
droning
organic
and
beastly
murmurs
accompany
first-light
shimmers
and
hums http://ascendre.free.fr, http://www.rurart.org alessandro
fogar
/ - / soundframes / - untreated
binaural
collage
of
natural
sounds
blending
with
eric's
more
mysterious
tones ronnie
sundin
/
-
/
hagring
/
antifrost early
excerpt
featuring
minute
crackling
noises
and
spacious
silences adam
wimbush /
- / the appliances' speak / - one
long
slow
developing
soundscape
formed
from
the
harmonic
changes
of,
perhaps,
humming
kitchen
appliances? eric
la
casa /
crepuscule / nuees / rurart rough
and
layered
rumbles
and
cracks,
hard
contact
in
contrast
to
la
casa's
previous
floating
track http://ascendre.free.fr, http://www.rurart.org pierre
henry
/
sommeil
balancement
chant
1 eveil
chant
2
etirement
/
variations
pour
une
porte
et
un
soupir
/
harmonia
mundi several
short
tracks
from
this
1963
composition
featuring
a
creaking
door,
a
musical
saw,
and
the
composer's
own
breath alessandro
fogar
/ -
/
soundframes
/
- another
sampling
from
further
on
in
this
work,
becoming
more
frantic
with larger
swathes
of
more
textured
sound
in
multiple
layers ronnie
sundin
/
-
/
hagring
/
antifrost the
final
segment
of
this
piece,
where
the
restrained
minimal
nature
of
the
work
is
finally
unleashed
into
a
mammoth
soaring
drone 18.02.05 this
was our
first edition
of framework:focus for 2005, and was curated and produced by
uk sound
artist dallas simpson. entitled peggy's paradise,
it
featured
a
sound
walk/environmental
diary
recorded
by
dallas'
mother
on
a
fall
day
in
1988.
dallas
himself
describes
his mother's recordings,
which
began in the 70's as letters to her son, thusly: 'Mum's work is
about
emotive description, rather than any kind of objective accuracy. It is
the
sheer simplistic joy of the moment by moment experience that is
communicated.' for
more
information on
dallas' work, and on peggy's paradise, you can visit his website at http://www.waterpump.f9.co.uk/.
if
you
missed
this
edition
of
framework:focus,
or
would
like
to
hear
it
again,
it
will
be
repeated
this wednesday, the 23rd of february, at 11:00am
gmt.
our next live broadcast will be this coming friday, the 25th of
february, at
8:30pm gmt.
first,
a
correction: i announced
last playlist that 2005's first edition
of framework:focus, which is coming up this friday, the 18th of
february, would
feature a live performance by stasisfield's john kannenberg. in
fact,
john will be joining us for our second edition of
framework:focus, which
will air on the 18th of march. this coming friday's
edition will
feature a work presented by regular framework contributor dallas
simpson,
in the form of an unedited soundwalk recorded in 1988 by his mother,
entitled peggy's
paradise. dallas himself describes his
mother's
detailed narrative description of her surroundings thusly: 'Mum's
work is
about emotive description, rather than any kind of objective accuracy.
It is
the sheer simplistic joy of the moment by moment experience that is
communicated.' please tune in if you can - it should be
a great
show. this
edition was
held
together by a skeleton of tranquil recordings made by jesse paul
miller,
along with some of his composed (although still very raw) work.
we also
heard recent unreleased work by jean-luc guionnet, both solo
and in
collaboration with eric la casa. this was tempered by
noisier
outings on the 23five label; some live material from
francisco lopez,
and some re-released archival material by gum, a vinyl
manipulating
project by andrew curtis and philip samartzis from the
late 80's. sarah
hall
/
framework
intro ambient
room
recording
from
the
inside
of
an
empty
jug gum
/ stormy
weather
/ vinyl
anthology
/
23five vinyl
crackle
and
noise
from
unidentified
record
sources,
a
storm
of
static jesse
paul
miller
/
ponce
inlet
/
searching
for
a
quiet
place
/
- a
sleepy
seaside town
where sharks are seen coming in where the warm waters meet eric
la casa
& jean-luc
guionnet / - / inscape / - edited
from
recordings
made
of
an
installation
in
lille
using
found
sound
captures jesse
paul
miller
/ bait
shop,
merritt
island
/
searching
for
a
quiet
place
/
-
unexpected
sounds
of
this
small
shop,
filled
with
convenience
items,
novelty
goods,
caged
crickets
and
fishtanks jesse
paul
miller
/ -
/ 2000-2003
/
- edited
from
field
recordings
taken
from
nebraska,
colorado
and
washington
state francisco
lopez
/ live
at
the
lab
-
hexaphonic,
08.05.00
/ live
in
san
francisco
/
23five trademark
slow
build
of
white
noise
and
unrecognisable
tonal
material,
blending
nicely
with
jesse's
untreated
soundscapes http://www.franciscolopez.net/,
http://www.23five.org jesse
paul
miller
/ swamp
at
sunset
/
searching
for
a
quiet
place
/
-
at
the
edge
of
blue
springs
park,
insects
sing
as
three
small
hawks
battle
overhead gum
/ outfits
for
agony
/ vinyl
anthology
/
23five more
musical
outing
consisting
of
tonal
drones
from
sound
captures
and
found
voices eric
la casa
& jean-luc
guionnet / track 3 / inscape
/ - second edit
from
the
installation,
this
time
grittier
and
wetter jesse
paul
miller
/ night
insects
/
searching
for
a
quiet
place
/
-
strange
insect
noises
captured
on
a
winter
night
after
a
downpour jean-luc
guionnet
/ -
/ triangles
de
poussieres
/
- first
of
three
parts
from
this
unreleased
solo
electro-acoustic
work jesse
paul
miller
/ footsteps:
north
central
florida
/ 2000-2003
/
- soundwalk
collage
made
during
a
residency
at
the
atlantic
center
for
the
arts,
new
smyrna,
fl | top
|
we
continued our
deep exploration
of several recent arrivals this week with several tracks from sawako's
and/oar
release yours gray, and and/oar frontman dale lloyd's
stasisfield
mp3 release turba/lateral minor. the first few of
these
melted into a backdrop of ilios' fine crackling venta
elektra
(on antifrost), and led us eventually to some heavily processed
brickwork from lief elggren's the cobblestone is the
weapon of the
proletariat, and some more soothing sounds from scott taylor's
conv
mp3 release castaway. this was all preceded by a
framework
introduction recorded for us london painter and mosaic artist henri
simson. next
friday, as
each first
friday of the month, sees the monthly airing of peter cusack's vermillion
sounds in the field recording slot; we return the week after, the
11th, for
our next edition. the show after that, on the 18th, will be this
year's
first edition of framework:focus, featuring a live performance
by the
head of the aforementioned stasisfield mp3 label, john kannenberg,
visiting
from
the
states.
henrietta
simson
/
framework
intro recorded
in
a dripping
basement
below
squeaky
floorboards
in
north
ilios
/
-
/
vento
elektra
/
antifrost very
minimal
slow
building
sounds
created
from
electricity
and
electrical
signals http://www.siteilios.gr, http://www.antifrost.gr sawako
/
as:unacir
a
message
from
the
bed
of
the
sea
/
yours
gray
/
and/oar these
first
2
tracks
interspersed
with
ilios
electricity
show a
smoother
more
tonal
sound
on
sawako's
latest... http://homepage.mac.com/oto_s,
http://www.and-oar.org dale
lloyd
/ lateral minor / turba/lateral minor
/
stasisfield staccato bumps
and
piercing
silence
give
way
to
warmer
organic
tones http://www.and-oar.org/dalelloyd.html,
http://www.stasisfield.com sawako
/
hole
/
yours
gray
/
and/oar darker
and
heavier
here,
featuring
water,
sand,
shortwave
radio
and
a
clock http://homepage.mac.com/oto_s,
http://www.and-oar.org dale
lloyd
/
turba [remedial] / turba/lateral minor /
stasisfield layers
of
crackle
and
static,
lending
another
perspective
to
our
electrical
direction http://www.and-oar.org/dalelloyd.html,
http://www.stasisfield.com sawako
/
cache
cache
/
yours
gray
/
and/oar
multipoint
field
recordings
taken
in
the
vicinity
of
a
live
performance
by
toshimaru
nakamura http://homepage.mac.com/oto_s,
http://www.and-oar.org dale
lloyd
/
turba [imitable] / turba/lateral minor /
stasisfield at
a
guess,
a
duet
for
radio
and
the
resonance
of
empty
bottles.
the
reality...? http://www.and-oar.org/dalelloyd.html,
http://www.stasisfield.com lief
elggren /
no.2 / the cobblestone is the weapon of the
proletariat
/ firework edition heavy
processing
of
the
sound
of
a
single
throw
of
a
cobblestone
in
the
street
outside
firework
editions http://www.fireworkeditionrecords.com tom
wallace /
brisbane city centre / - / - the
artist
says:
'recording
made
while
trying
to
record
the
pedestrian
crossing
sound,
suddenly
it
all
kicks
off!' scott
taylor
/
-
/
castaway
/
conv more
recognisable
source
materials
of
water
and
insects
continue
to
bring
us
back
down
to
earth,
softly lief
elggren
/ no.5 / the cobblestone is the weapon of the
proletariat
/ firework edition another
sampling
of
cobblestone
warping http://www.fireworkeditionrecords.com scott
taylor
/
-
/
castaway
/
conv machine
like
rattles,
clicks
and
groans
with
a
hint
of
dripping
and
some
tonal
structuring tom
wallace
/ macritchie reservoir in singapore / -
/ - this
singapore
reservoir
resonates
with
birds
and
insects,
the
rumble
of
distant
water,
and
the
grit
of
passing
footsteps 21.01.05 we
took detailed
looks at a
few releases in this edition, namely the latest instalment of the phonography
organisation's series of raw field recording compilations. we
also
listened to several tracks from crouton's reissue of an early
irr.
app. (ext.) work, dust pincher appliances, keith
berry's
latest release buddha's mile, and a recent release from
the
copyleft netlabel test tube by spanish artist ubeboet.
coming
up
this
friday,
we'll
be
listening,
among
other
things, to
the
and/oar
release by sawako, yours gray, and some
internet-released
work (on the netlabel stasisfield) by and/oar's (and
phonography.org's)
own dale lloyd. adam
wimbush /
framework intro recorded
through
the
window
of
a
bathroom
in
barbados,
featuring
the
voice
of
a
mysterious
woman
known
only
as
liz
murmer
/
38,000
for
madrid
/
phonography.org
6
(compilation)
/
phonography.org the
sound
of
a
stadiumful
of
people
during
a
minute's
silence irr.
app
(ext.)
/ narcoinvitatorintraphasieschatological music box /
dust
pincher appliances / crouton crackling
chorus
of
music
boxes
and
rumbling
drones http://www.holocenesound.org/irr, http://www.croutonmusic.com frederic
yarm
/
bottle
neck
traffic
/
phonography.org
6
(compilation)
/
phonography.org acoustic
processing
applied
through
the
capture
of
sound
from
inside
a
bottle keith
berry
/
-
/
buddha's
mile
/
authorised
version sublime
field
recordings
and
tonal
elements
slowly
develop
and
disperse http://www.inbetweensilence.com,
http://www.a-version.co.uk/ josh
russell / wall
mounted gas heater overheating and shutting down /
phonography.org
6 (compilation) / phonography.org almost
industrial
sounding
chaotic
rhythms,
crackles
and
rumblings irr.
app
(ext.)
/ a body rendered disjecta membra through the
application
of dust pincher appliances / dust pincher appliances
/
crouton rhythmic
mechanics
and
clacking
bones
are
pervaded
over
by
a
dysfunctional
intercom http://www.holocenesound.org/irr, http://www.croutonmusic.com perri
lynch
/
walking
through
eyebeam
/
phonography.org
6
(compilation)
/
phonography.org reverberations
of
public
space
with
an
odd
collection
of
mechanical
and
(mechanically?)
natural
sound ubeboet
/
north
wind
/
bleak
ep
/
test
tube metallic
rain
and
organic
scratchings
filter
through
multi-levelled
tonescapes http://www.monocromatica.com/netlabel mathieu
ruhlmann
/
water
pipe
pond
drone
/
phonography.org
6
(compilation)
/
phonography.org ubiquitous
narrow
pipe
reverberations
tempered
with
an
active
environment
enfolding
it irr. app. (ext.)
/
desist
in
ceasing
to
cease
to
exist
/
dust
pincher
appliances
/
crouton more
layerings
of
indiscernible
acoustic
sources
and
percussing
found
objects http://www.holocenesound.org/irr, http://www.croutonmusic.com ubeboet
/
nocturno
(danny
kreutzfeldt
version)
/
bleak
ep
/
test
tube hissing
and
collapsing
tones
lead
through
the
erosion http://www.monocromatica.com/netlabel
a
fine mix this
edition
based around peter cusack's recent release, baikal ice, as a skeleton -
these
frozen, crackling recordings mixed well with dallas simpson's
delicate natural
soundscape and john hudak's abstracted suspended ringing. our
initial
softness was brought to bay by joe colley's malfunctioning equipment in
two
tracks from one of my favorite releases from last year, desperate
attempts at
beauty (this is the second set of tracks we've featured from this
disc),
and a rare compositional outing for toshiya tsunoda (from the split lp
whose
opposite face - justin bennett's cacerolada - was featured before it's
release
last year, and then again in one of our end of 2004 wrap-up shows). as
the new year
shapes up i
can announce that framework:focus will be continuing for the
foreseeable future
as a regular feature. my goal will be to produce one focus
edition per
month (starting with february), which will generally air on the 3rd
friday -
thus this year's first should be on 18.02.05. i hope you enjoy
the focus
format - i, for one, have been enjoying their evolution over the past
few
months! one
more time: i
start each (regular)
edition of framework with an introduction recorded by a
listener/contributor,
and have had many fine, fine examples over the past few
years. but
lately my stock has been running low - perhaps the novelty of the
request has
worn off, but please, if ever you would consider submitting a framework
introduction for airplay, whether you are an experienced phonographer
or have
never held a tape recorder, i would be honored to receive your
contribution! every intro submission sent in to date has been
used, so
it's a sure-fire way to get some airplay! see the guidelines
below the
playlist... keith
de
mendonca
/
framework
intro one
last
intro
from
this
prolific
contributor
-
this
one
a
recording
of
geese
in
st
james
park,
http://www.dismbody.demon.co.uk/home.html peter
cusack
/
floating
icicles
rocked
by
waves
/
baikal
ice
(spring
2003)
/
rer
megacorp underwater
recording
of
shards
of
broken
ice
sheets
floating
on
the
surface
of
the
lake dallas
simpson
/
on
discovering
some
more
notes
of
willow
in
spring
/
the
adoration
of
willow
-
stoke
bardolph
/ - the
latest
in
a
series
of
works
dedicated
to
the
discovery
of
sonic
essences
of
willow
trees john
hudak
/
- / room with sky / spekk unidentifiable
sources
ring
with
abstract
references
to
a
bedroom
and
it's
view
of
the
outside
world http://www.johnhudak.net, http://www.spekk.net peter
cusack
/
ferry
mores
at
jetty
/
baikal
ice
(spring
2003)
/
rer
megacorp
underwater
recording
of
a
small
ferry
that
crosses
the
mouth
of
angara
river joe
colley
/ burn memory (test for headphone rattle) /
desperate
attempts at beauty / auscultare/groundfault tense
rumbling
composition
of
electronic
buzzes
and
hums toshiya
tsunoda
/ dertiende
mixer
/
cleavage
of
acoustics
/
stichting
mixer acoustic
captures
of
vibrations
and
electronic
sounds
passed
through
various
gates
and
composed
with
stereo
separation peter
cusack
/
guardians
/
baikal
ice
(spring
2003)
/
rer
megacorp
echoing
capture
of
the
guard
dogs
of
the
village
of
lystvanka joe
colley
/
headache (diagnostic testpulse for blown pa) /
desperate
attempts at beauty / auscultare/groundfault rhythmic
pulses
and
cracks,
more
composition
for
malfunctioning
electronic
equipment? john
kannenberg
/ for agnes martin / four painters /
stasisfield digital
manipulations
of
wind-rustled
leaves
create
sonic
interpretations
of
this
painter's
work peter
cusack
/
baikal
ice
flow
split
2
/
baikal
ice
(spring
2003)
/
rer
megacorp
underwater
recordings
of
two
flows
of
compacted
icicles
splitting
apart | top
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