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Posts Tagged ‘workshop’

::: 2017.01.14-15 ::: bucharest, ro :::

::: workshop @ super/silent :::

saturday/sunday 14/15 january

ephemeral listening workhop, focusing on listening exercises, exploration of field recording and ‘alternative’ field recording methods, environmental interactions, sonic narrative, and radio art.

space is limited; please get in touch for more information and details.

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::: echo surveys for living spaces :::

::: 2015.09.26 ::: helsinki, fi :::

::: performance @ pixelache 2015: living spaces :::

saturday, 26 september
18:00
meets at Käntöpöytä
Tallikatu, Pasila
free

group improvisational acoustic walkabout performance in the pasila railyard, showcasing the work done during the echo surveys for living spaces workshop, as part of pixelache 2015: living spaces

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::: 2015.09.21-24 ::: helsinki, fi :::

::: workshop @ pixelache 2015: living spaces :::

monday, 21 – thursday 24 september
11:00 – 17:00
Kääntöpöytä
Tallikatu, Pasila
free

Echo Surveys for Living Spaces

Echo Surveys will be a sonic exploration of, and interaction with, a series of found spaces around the city of Helsinki. We will focus our activity on improvised sonic actions in which we attempt to give voices to our locations by producing sound using only the space itself and objects found therein (tools for resonance – mallets, bows, etc. – can be used). Participants will develop their attentive listening skills while learning to find sonic potential in everyday materials. No artificial amplification will be used, but our explorations will be documented for later examination, presentation, and discussion. Our work will be presented publicly towards the end of the festival as a series of live site-specific group acoustic performances. The workshop is led by Patrick McGinley (US/EE).

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METHODOLOGY
The workshop will begin with an extended listening session and discussion centering on environmental sound, attentive listening, and sonic perception. We will then move through a series of exercises and games designed to draw attention to the perceptive possibilities of listening and of sonic interaction with a space and a group. From day two we will begin exploring a preselected group of locations, developing techniques of interaction and improvisation that will lead to a public performance in each space. Participants are encouraged to recommend spaces that they think may be appropriate for our explorations around the city, particularly spaces that are in the Pasila district. They are also encouraged to bring any resonating tools they may have that would be useful in our activities: old violin bows, drumsticks, rubber mallets, etc. No prior sound or music experience is necessary, all that is necessary is a good set of ears and a willingness to listen carefully and respond.

DETAILS
The workshop will meet daily at Dodon Kääntöpöytä, in Pasila Railyard, from 11:00 until 17:00. The workshop will be mostly mobile, in the chosen locations, but will return to Kääntöpöytä at the end of each day for review. On Saturday at 18:00, the workshop will present and perform to the public, and this performance will also begin at Kääntöpöytä.

A pre-festival interview conducted by Pixelache can be found here: http://livingspaces.pixelache.ac/posts/interview-with-patrick-mcginley-murmer

Echo Surveys is co-sponsored by Âänen Lumo/Charm of Sound.

::: 2014.05.25-27 ::: al-bireh, ps :::

::: workshop @ orient & dance theatre :::

sunday-tuesday, 25-27 may
14:00-18:00
orient & dance theatre
16 nablus road
al-bireh
free entry

Field Recording and Ephemeral Listening

So much technology is associated with sound-work and field recording, but in this workshop we will begin with the first and most important piece of equipment: the ear. We will focus on the act and art of listening, exploring perception and the effects of sound through extended listening sessions, soundwalks, and exercises that will warm and sharpen our ears. A strong focus will be placed on environmental listening, and the development of the ear toward detailed sonic perception. Only from this new position or aural attention will we explore different microphones and recording techniques, as we embark on a group recording expedition that will make it clear that a sharp ear can make amazing recordings with any kind of equipment, while the best equipment in the world can do nothing with an inattentive ear.

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  • Day 1: extended listening session of endemic and exotic sounds, exploration of active and passive field recording, discussion
  • Day 2: participatory sound exercises, ‘alternative’ methods of field recording, blind and sighted group and individual soundwalks and soundsits, discussion
  • Day 3: field recording techniques and technology, group recording excursion, closing listening session, discussion

Patrick McGinley is a sound, radio, and performance artist who has been living and working in Europe (currently Estonia) since 1996. He works primarily with found sound, found objects, and site-specific sonic interactions. He also produces a weekly field-recording themed radio show which recently celebrated it’s 11th anniversary. He frequently teaches and leads sound workshops, group actions and experiments.